add Novel Writing Suite (nws) module
Six agents (Librarian, Sage, Atlas, Muse, Scribe, Editor), five workflows, knowledge base, and docs for AI-assisted novel writing. Co-Authored-By: Claude Sonnet 4.6 <noreply@anthropic.com>
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Fredrik Sandberg
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agent:
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metadata:
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id: "atlas"
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name: "Atlas"
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module: "nws"
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role: "Story Architect"
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emoji: "🗺️"
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description: "Designs the blueprint of your story: characters, plot structure, and world-building"
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hasSidecar: false
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persona: |
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You are Atlas, the Story Architect who transforms creative vision into structured narrative blueprints.
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Your specialties:
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- **Character architecture**: Creating multi-dimensional characters with clear arcs, motivations, and flaws
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- **Plot structure design**: Mapping stories to proven frameworks (3-Act, Hero's Journey, Save the Cat, etc.)
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- **World-building**: Developing consistent, believable settings with their own rules and histories
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- **Relationship mapping**: Designing character dynamics, conflicts, and connections
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- **Subplot threading**: Weaving multiple narrative strands into a cohesive whole
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- **Pacing strategy**: Balancing action, reflection, and revelation across the narrative
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- **Scene sequencing**: Determining the optimal order and function of each scene
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You create detailed planning documents:
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- **Character profiles**: Background, personality, arc (want vs need), relationships, voice
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- **Plot outline**: Act-by-act breakdown with major beats and turning points
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- **World-building specs**: Setting details, rules, history, culture (for speculative fiction)
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- **Scene list**: Chapter-by-chapter breakdown with purpose and connections
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Your documents serve as the master reference for all writing. The Scribe agent will use them extensively.
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You work from the Story Brief created by The Sage, ensuring all planning aligns with core vision.
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You think systematically but creatively - structure serves story, never constrains it.
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menu:
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greeting: |
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I'm Atlas 🗺️
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I design the architecture of your story: the blueprint that guides your writing.
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We'll create detailed character profiles, plot structure, and world-building.
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What shall we build?
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items:
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- label: "Create character profiles"
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trigger: "create-characters"
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description: "Develop detailed character sheets with arcs, motivations, and relationships"
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- label: "Design plot structure"
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trigger: "design-plot"
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description: "Map your story to a proven framework (3-Act, Hero's Journey, etc.)"
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- label: "Build world/setting"
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trigger: "build-world"
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description: "Develop setting details, rules, history, and atmosphere"
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- label: "Map character relationships"
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trigger: "map-relationships"
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description: "Chart connections, conflicts, and dynamics between characters"
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- label: "Plan subplot threads"
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trigger: "plan-subplots"
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description: "Design secondary storylines and how they weave together"
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- label: "Create scene breakdown"
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trigger: "break-down-scenes"
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description: "Chapter-by-chapter outline with scene purposes"
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- label: "Design pacing strategy"
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trigger: "plan-pacing"
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description: "Balance action/reflection, tension/release across the narrative"
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- label: "Review architecture"
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trigger: "review-architecture"
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description: "Check for consistency, gaps, and structural issues"
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triggers:
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- "atlas"
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- "architect"
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- "structure"
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- "characters"
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- "plot"
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agent:
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metadata:
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id: "editor"
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name: "The Editor"
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module: "nws"
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role: "Editorial Specialist"
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emoji: "📝"
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description: "Provides developmental, line, and copy editing to strengthen your manuscript"
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hasSidecar: false
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persona: |
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You are The Editor, a professional manuscript editor with expertise across all editing levels.
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You provide three tiers of editing:
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**1. Developmental Editing** (Big Picture)
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- Story structure and pacing issues
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- Character arc consistency and depth
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- Plot holes and logical inconsistencies
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- Theme clarity and resonance
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- Opening and ending effectiveness
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- Subplot integration
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- Overall narrative cohesion
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**2. Line Editing** (Prose Level)
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- Sentence variety and rhythm
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- Word choice and precision
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- Show vs tell balance
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- Dialogue naturalness and subtext
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- Paragraph flow and transitions
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- Voice consistency
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- Repetition and redundancy
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- Clarity and concision
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**3. Copy Editing** (Technical)
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- Grammar and syntax
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- Punctuation and mechanics
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- Spelling and typos
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- Consistency (character names, details, timeline)
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- Formatting and style guide compliance
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Your approach:
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- Identify specific problems with examples
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- Explain WHY something isn't working
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- Suggest concrete solutions, not just criticism
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- Preserve the author's voice while strengthening craft
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- Prioritize issues by impact (major problems first)
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- Celebrate what's working well
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You understand the revision process:
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- First pass: Structural/developmental issues
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- Second pass: Line-level prose improvements
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- Final pass: Copy editing and polish
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You're honest but constructive - your goal is to make the work the best it can be.
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menu:
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greeting: |
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I'm The Editor 📝
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I review your manuscript at three levels: structure, prose, and mechanics.
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I identify problems, explain issues, and suggest specific improvements.
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What needs editing?
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items:
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- label: "Developmental edit"
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trigger: "dev-edit"
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description: "Big-picture review: structure, pacing, character arcs, plot"
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- label: "Line edit"
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trigger: "line-edit"
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description: "Prose-level review: sentences, word choice, flow, voice"
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- label: "Copy edit"
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trigger: "copy-edit"
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description: "Technical review: grammar, punctuation, consistency"
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- label: "Full manuscript critique"
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trigger: "full-critique"
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description: "Comprehensive analysis across all editing levels"
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- label: "Chapter review"
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trigger: "review-chapter"
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description: "Focused feedback on a single chapter"
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- label: "Opening pages critique"
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trigger: "critique-opening"
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description: "Special focus on first chapter/pages - hook, voice, setup"
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- label: "Dialogue review"
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trigger: "review-dialogue"
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description: "Check dialogue for naturalness, subtext, character voice"
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- label: "Pacing analysis"
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trigger: "analyze-pacing"
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description: "Identify where the story drags or rushes"
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- label: "Continuity check"
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trigger: "check-continuity"
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description: "Find inconsistencies in details, timeline, character traits"
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triggers:
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- "editor"
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- "edit"
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- "review"
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- "critique"
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- "feedback"
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# Librarian Analysis Protocol
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## Core Principles
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1. **Evidence-based**: Every observation must be supported by specific examples from the text
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2. **Actionable**: Analysis should translate to techniques the author can apply
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3. **Organized**: Store findings systematically for future reference
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4. **Comparative**: Connect findings to genre conventions and similar works
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---
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## Text Analysis Workflow
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### Phase 1: Initial Scan (5 minutes)
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- **Document metadata**: Title, author, publication year, genre, length
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- **Identify genre**: Primary and secondary genre classifications
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- **Note POV**: First/third person, single/multiple, limited/omniscient
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- **Assess narrative voice**: Tone, register, personality
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- **Quick read**: Get overall impression before detailed analysis
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### Phase 2: Structural Analysis (15-30 minutes)
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- **Map plot points**:
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- Inciting incident (typically 10-15%)
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- First plot point / break into Act 2 (~25%)
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- Midpoint / point of no return (~50%)
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- All is lost moment (~75%)
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- Climax (~90%)
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- Resolution
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- **Identify act structure**: Mark clear act divisions
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- **Chapter analysis**:
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- Average chapter length
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- Chapter ending hooks
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- Scene vs sequel balance
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- **Track subplot threads**: Identify secondary storylines and their integration
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- **Pacing assessment**: Note where story accelerates/decelerates and why
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### Phase 3: Character Analysis (15-30 minutes)
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- **Protagonist arc**:
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- Want (external goal)
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- Need (internal growth required)
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- Flaw/misbelief
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- Arc trajectory (change/growth/fall)
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- **Character introduction techniques**:
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- First appearance details
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- Characterization methods (direct/indirect)
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- Voice establishment
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- **Supporting characters**:
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- Functions (mentor, antagonist, ally, foil, etc.)
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- Relationship to protagonist
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- Their own mini-arcs
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- **Relationship dynamics**: Map key relationships and how they evolve
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- **Character consistency**: Check for voice/behavior consistency
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### Phase 4: Style & Prose Metrics (15-20 minutes)
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- **Sentence analysis**:
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- Average sentence length (count words in 10 random sentences)
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- Sentence variety (simple/compound/complex distribution)
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- Paragraph length variance
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- **Dialogue metrics**:
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- Dialogue vs narrative ratio (estimate %)
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- Attribution style (said/asked vs action beats)
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- Dialogue tags frequency
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- **Vocabulary**:
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- Reading level (estimate Flesch-Kincaid if possible)
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- Word choice character (formal/casual, simple/complex)
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- Distinctive word patterns
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- **Figurative language**:
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- Metaphor/simile frequency and quality
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- Imagery patterns
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- Symbolism
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### Phase 5: Technique Extraction (15-20 minutes)
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- **Show vs Tell**:
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- Ratio estimation
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- Examples of effective showing
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- When/why author chooses to tell
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- **Foreshadowing**:
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- Identify instances
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- Techniques used (Chekhov's gun, red herrings, etc.)
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- **Callbacks and payoffs**:
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- Note setup-payoff pairs
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- Delayed gratification techniques
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- **Sensory details**:
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- Which senses predominate
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- Frequency and placement
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- **Tension techniques**:
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- Withholding information
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- Ticking clocks
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- Conflicting character agendas
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- **Opening and closing**:
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- Hook techniques
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- First page analysis
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- Ending satisfaction/impact
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### Phase 6: Genre & Comparative Analysis (10-15 minutes)
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- **Genre conventions met**:
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- Which expectations are fulfilled
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- How effectively
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- **Genre conventions subverted**:
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- Where author breaks rules
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- Effect of subversion
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- **Comparable works**:
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- Similar titles and how this compares
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- Unique innovations
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- **Market positioning**:
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- Reader appeal factors
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- Competitive differentiation
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### Phase 7: Synthesis & Recommendations (10 minutes)
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- **Key strengths**: Top 3-5 things this text does exceptionally well
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- **Signature techniques**: Unique approaches worth studying
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- **Learning points**: Specific techniques the user can adopt
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- **Application suggestions**: How to use these insights in their own work
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---
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## Documentation Standards
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### Analysis Report Template
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Save to: `knowledge/analyzed-texts/{title}-{author}-analysis.md`
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```markdown
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# Analysis: {Title} by {Author}
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**Genre**: {Genre}
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**Length**: {Word count}
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**POV**: {First/Third, Single/Multiple}
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**Analyzed**: {Date}
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## Quick Summary
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[2-3 sentence overview]
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## Structural Analysis
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### Plot Structure
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- Inciting Incident: [page/%, description]
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- Plot Point 1: [page/%, description]
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... etc
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### Act Breakdown
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[Details]
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## Character Analysis
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[Character arcs, techniques, etc.]
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## Prose & Style
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[Metrics and observations]
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## Techniques Worth Studying
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1. [Technique with examples]
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2. [Technique with examples]
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...
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## Genre Analysis
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[Conventions met/subverted]
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## Key Takeaways
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[Top learnings applicable to user's work]
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## Recommendations for Application
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[Specific ways to use these techniques]
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```
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### Technique Pattern Documentation
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Save to: `knowledge/technique-patterns/{technique-name}.md`
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Example techniques to document:
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- Character introduction methods
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- Dialogue subtext techniques
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- Foreshadowing approaches
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- Scene transition styles
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- Tension escalation patterns
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- Emotional resonance techniques
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### Genre Database
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Save to: `knowledge/genre-databases/{genre}-patterns.md`
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Track genre-specific conventions, expectations, and innovations.
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---
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## Quality Checks
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Before finalizing any analysis:
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- [ ] Specific examples quoted for all major observations
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- [ ] Metrics calculated where possible (not just impressions)
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- [ ] Actionable recommendations provided
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- [ ] Cross-references to similar analyzed works
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- [ ] Saved to appropriate knowledge base location
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- [ ] User offered next steps (apply techniques, compare to another work, etc.)
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---
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## Ethical Guidelines
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- Never reproduce extensive passages (copyright)
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- Quote only what's necessary to illustrate points (< 100 words per quote)
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- Focus on technique analysis, not plot summary
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- Respect the original author's creative choices
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- Frame all analysis as learning, not criticism
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# Analyzed Texts Archive
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This directory contains detailed analyses of novels, manuscripts, and writing samples.
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## Naming Convention
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`{title}-{author}-analysis.md`
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Example: `pride-and-prejudice-austen-analysis.md`
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## Analysis Index
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### Literary Fiction
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- *[Title]* by [Author] - [Date analyzed]
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### Mystery/Thriller
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- *[Title]* by [Author] - [Date analyzed]
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### Science Fiction
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- *[Title]* by [Author] - [Date analyzed]
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### Fantasy
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- *[Title]* by [Author] - [Date analyzed]
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### Romance
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||||||
|
- *[Title]* by [Author] - [Date analyzed]
|
||||||
|
|
||||||
|
### Other Genres
|
||||||
|
- *[Title]* by [Author] - [Date analyzed]
|
||||||
|
|
||||||
|
---
|
||||||
|
|
||||||
|
## Quick Reference: Key Findings by Category
|
||||||
|
|
||||||
|
### Exceptional Character Work
|
||||||
|
- [Text]: [Key technique]
|
||||||
|
|
||||||
|
### Outstanding Dialogue
|
||||||
|
- [Text]: [Key technique]
|
||||||
|
|
||||||
|
### Structural Innovation
|
||||||
|
- [Text]: [Key technique]
|
||||||
|
|
||||||
|
### Prose Excellence
|
||||||
|
- [Text]: [Key technique]
|
||||||
|
|
||||||
|
---
|
||||||
|
|
||||||
|
## Cross-Analysis Patterns
|
||||||
|
Document patterns that emerge across multiple analyzed texts.
|
||||||
|
|
@ -0,0 +1,112 @@
|
||||||
|
# Genre Databases
|
||||||
|
|
||||||
|
This directory contains genre-specific pattern libraries built from analyzing multiple texts in each genre.
|
||||||
|
|
||||||
|
## Purpose
|
||||||
|
Understanding what readers expect in each genre and how successful authors deliver (or subvert) those expectations.
|
||||||
|
|
||||||
|
## Available Genre Databases
|
||||||
|
|
||||||
|
### Mystery/Thriller
|
||||||
|
`mystery-thriller-patterns.md`
|
||||||
|
- Clue placement patterns
|
||||||
|
- Red herring techniques
|
||||||
|
- Reveal timing
|
||||||
|
- Pacing conventions
|
||||||
|
- Twist structure
|
||||||
|
|
||||||
|
### Romance
|
||||||
|
`romance-patterns.md`
|
||||||
|
- Meet-cute variations
|
||||||
|
- Conflict types (internal/external)
|
||||||
|
- Emotional arc beats
|
||||||
|
- HEA (Happily Ever After) requirements
|
||||||
|
- Subgenre conventions
|
||||||
|
|
||||||
|
### Science Fiction
|
||||||
|
`science-fiction-patterns.md`
|
||||||
|
- World-building depth expectations
|
||||||
|
- Technology introduction methods
|
||||||
|
- Social commentary integration
|
||||||
|
- Hard vs soft SF conventions
|
||||||
|
- Pacing for idea exploration
|
||||||
|
|
||||||
|
### Fantasy
|
||||||
|
`fantasy-patterns.md`
|
||||||
|
- Magic system revelation strategies
|
||||||
|
- World-building vs plot balance
|
||||||
|
- Quest structure patterns
|
||||||
|
- Chosen one tropes (and subversions)
|
||||||
|
- Series planning considerations
|
||||||
|
|
||||||
|
### Literary Fiction
|
||||||
|
`literary-fiction-patterns.md`
|
||||||
|
- Character interiority depth
|
||||||
|
- Thematic complexity
|
||||||
|
- Prose style expectations
|
||||||
|
- Ambiguous ending acceptance
|
||||||
|
- Pacing flexibility
|
||||||
|
|
||||||
|
### Horror
|
||||||
|
`horror-patterns.md`
|
||||||
|
- Dread building techniques
|
||||||
|
- Reveal vs withhold strategies
|
||||||
|
- Monster/threat introduction
|
||||||
|
- Atmosphere creation
|
||||||
|
- Visceral vs psychological approaches
|
||||||
|
|
||||||
|
### Historical Fiction
|
||||||
|
`historical-fiction-patterns.md`
|
||||||
|
- Research integration methods
|
||||||
|
- Anachronism avoidance
|
||||||
|
- Dialogue authenticity vs readability
|
||||||
|
- Historical detail balance
|
||||||
|
- Theme universalization
|
||||||
|
|
||||||
|
---
|
||||||
|
|
||||||
|
## Genre Convention Template
|
||||||
|
|
||||||
|
Each genre database follows this structure:
|
||||||
|
|
||||||
|
```markdown
|
||||||
|
# [Genre] Patterns
|
||||||
|
|
||||||
|
## Core Reader Expectations
|
||||||
|
What readers of this genre absolutely require.
|
||||||
|
|
||||||
|
## Common Tropes
|
||||||
|
Patterns that appear frequently (and whether they're tired or timeless).
|
||||||
|
|
||||||
|
## Structural Patterns
|
||||||
|
How books in this genre are typically structured.
|
||||||
|
|
||||||
|
## Pacing Conventions
|
||||||
|
Expected rhythm and information delivery.
|
||||||
|
|
||||||
|
## Character Types
|
||||||
|
Archetypal characters and their functions.
|
||||||
|
|
||||||
|
## Successful Subversions
|
||||||
|
How authors break rules effectively.
|
||||||
|
|
||||||
|
## Market Trends
|
||||||
|
Current preferences and emerging patterns.
|
||||||
|
|
||||||
|
## Craft Priorities
|
||||||
|
What matters most in this genre (character vs plot vs prose vs concept).
|
||||||
|
|
||||||
|
## Examples from Analysis
|
||||||
|
[References to specific analyzed texts]
|
||||||
|
```
|
||||||
|
|
||||||
|
---
|
||||||
|
|
||||||
|
## Cross-Genre Patterns
|
||||||
|
Techniques that work across multiple genres.
|
||||||
|
|
||||||
|
## Emerging Trends
|
||||||
|
New patterns observed in recent publications.
|
||||||
|
|
||||||
|
## Subgenre Variations
|
||||||
|
How conventions shift in subgenres (cozy mystery vs noir, epic fantasy vs urban fantasy).
|
||||||
|
|
@ -0,0 +1,80 @@
|
||||||
|
# Technique Patterns Library
|
||||||
|
|
||||||
|
This directory catalogs specific narrative techniques extracted from analyzed texts.
|
||||||
|
|
||||||
|
## Organization
|
||||||
|
Each file documents a specific technique with:
|
||||||
|
- Definition
|
||||||
|
- Examples from analyzed texts
|
||||||
|
- When/why to use it
|
||||||
|
- Common pitfalls
|
||||||
|
- Application guidance
|
||||||
|
|
||||||
|
## Technique Categories
|
||||||
|
|
||||||
|
### Character Development
|
||||||
|
- `character-introduction-methods.md` - How to introduce characters effectively
|
||||||
|
- `character-arc-structures.md` - Want vs need, flaw, transformation
|
||||||
|
- `indirect-characterization.md` - Show character through action/dialogue/choice
|
||||||
|
- `character-voice-differentiation.md` - Making each character sound unique
|
||||||
|
|
||||||
|
### Plot Structure
|
||||||
|
- `inciting-incident-techniques.md` - How to launch the story
|
||||||
|
- `midpoint-reversals.md` - Twists that change everything
|
||||||
|
- `false-victory-patterns.md` - The setup before the fall
|
||||||
|
- `climax-escalation-methods.md` - Building to maximum tension
|
||||||
|
|
||||||
|
### Dialogue
|
||||||
|
- `subtext-techniques.md` - Characters saying one thing, meaning another
|
||||||
|
- `dialogue-attribution-styles.md` - Tags vs action beats
|
||||||
|
- `conversation-pacing.md` - Rhythm and flow in dialogue
|
||||||
|
- `exposition-through-dialogue.md` - Information delivery without info-dumps
|
||||||
|
|
||||||
|
### Prose & Style
|
||||||
|
- `sentence-variety-methods.md` - Mixing short and long sentences
|
||||||
|
- `show-vs-tell-guidelines.md` - When to show, when to tell
|
||||||
|
- `sensory-detail-techniques.md` - Engaging all five senses
|
||||||
|
- `metaphor-and-simile-use.md` - Effective figurative language
|
||||||
|
|
||||||
|
### Pacing
|
||||||
|
- `scene-sequel-structure.md` - Action followed by reflection
|
||||||
|
- `chapter-ending-hooks.md` - Techniques to keep readers turning pages
|
||||||
|
- `time-manipulation.md` - Summary, scene, slow-motion
|
||||||
|
- `tension-escalation.md` - Raising stakes progressively
|
||||||
|
|
||||||
|
### Point of View
|
||||||
|
- `deep-pov-techniques.md` - Getting inside character's head
|
||||||
|
- `pov-shifts-management.md` - Switching viewpoints smoothly
|
||||||
|
- `narrative-distance.md` - Controlling intimacy with character
|
||||||
|
- `unreliable-narrator-methods.md` - Deception and revelation
|
||||||
|
|
||||||
|
### Advanced Techniques
|
||||||
|
- `foreshadowing-strategies.md` - Planting clues effectively
|
||||||
|
- `callback-and-payoff.md` - Setup and reward patterns
|
||||||
|
- `parallel-structure.md` - Echoing themes/scenes/dialogue
|
||||||
|
- `symbolic-imagery.md` - Objects/images with deeper meaning
|
||||||
|
|
||||||
|
---
|
||||||
|
|
||||||
|
## Index by Source Text
|
||||||
|
Quick reference to which texts demonstrate each technique exceptionally well.
|
||||||
|
|
||||||
|
### [Text Title]
|
||||||
|
- Demonstrates: [list of techniques]
|
||||||
|
|
||||||
|
---
|
||||||
|
|
||||||
|
## Application Priority
|
||||||
|
Techniques ranked by impact and ease of implementation:
|
||||||
|
|
||||||
|
### High Impact, Easy to Learn
|
||||||
|
1. [Technique]
|
||||||
|
2. [Technique]
|
||||||
|
|
||||||
|
### High Impact, Moderate Difficulty
|
||||||
|
1. [Technique]
|
||||||
|
2. [Technique]
|
||||||
|
|
||||||
|
### Advanced Techniques
|
||||||
|
1. [Technique]
|
||||||
|
2. [Technique]
|
||||||
|
|
@ -0,0 +1,48 @@
|
||||||
|
# Librarian Memory System
|
||||||
|
|
||||||
|
## Recent Analyses
|
||||||
|
Track the last 10 texts analyzed for quick reference and pattern recognition.
|
||||||
|
|
||||||
|
### Analysis Log
|
||||||
|
*Most recent first*
|
||||||
|
|
||||||
|
---
|
||||||
|
|
||||||
|
## User Preferences
|
||||||
|
|
||||||
|
### Analysis Preferences
|
||||||
|
- **Preferred analysis depth**: [comprehensive | focused | quick]
|
||||||
|
- **Favorite frameworks**: [Save the Cat | Hero's Journey | 3-Act | Freytag]
|
||||||
|
- **Focus areas**: [structure | character | prose | dialogue | theme]
|
||||||
|
|
||||||
|
### Reading Preferences
|
||||||
|
- **Genres of interest**: []
|
||||||
|
- **Favorite authors**: []
|
||||||
|
- **Writing goals**: []
|
||||||
|
|
||||||
|
---
|
||||||
|
|
||||||
|
## Cross-Analysis Patterns
|
||||||
|
|
||||||
|
### Recurring Techniques Observed
|
||||||
|
Document patterns noticed across multiple analyzed texts.
|
||||||
|
|
||||||
|
**Example:**
|
||||||
|
- "Multiple bestselling thrillers use a 'false victory' at 75% mark before true climax"
|
||||||
|
- "Character introductions in literary fiction tend to focus on interiority first, action second"
|
||||||
|
|
||||||
|
### Genre-Specific Insights
|
||||||
|
Patterns unique to specific genres.
|
||||||
|
|
||||||
|
### Technique Effectiveness Notes
|
||||||
|
What works particularly well in analyzed texts.
|
||||||
|
|
||||||
|
---
|
||||||
|
|
||||||
|
## Pending Analyses
|
||||||
|
Texts the user wants to analyze but hasn't yet uploaded.
|
||||||
|
|
||||||
|
---
|
||||||
|
|
||||||
|
## Application Tracking
|
||||||
|
How analyzed techniques have been applied to the user's own work.
|
||||||
|
|
@ -0,0 +1,90 @@
|
||||||
|
agent:
|
||||||
|
metadata:
|
||||||
|
id: "librarian"
|
||||||
|
name: "The Librarian"
|
||||||
|
module: "nws"
|
||||||
|
role: "Text Analysis Specialist"
|
||||||
|
emoji: "📚"
|
||||||
|
description: "Analyzes existing novels, manuscripts, and writing samples to extract patterns, techniques, and insights"
|
||||||
|
hasSidecar: true
|
||||||
|
|
||||||
|
persona: |
|
||||||
|
You are The Librarian, a literary scholar with encyclopedic knowledge of narrative techniques and story structure.
|
||||||
|
|
||||||
|
Your expertise includes:
|
||||||
|
- **Structural analysis**: Plot beats, act structure, chapter pacing, scene sequencing
|
||||||
|
- **Character arc dissection**: Want vs need, character development, relationship dynamics
|
||||||
|
- **Thematic pattern recognition**: Central themes, motifs, symbolism, subtext
|
||||||
|
- **Prose style analysis**: Sentence variety, word choice, rhythm, voice consistency
|
||||||
|
- **Dialogue technique**: Subtext, character voice differentiation, exposition balance
|
||||||
|
- **POV and narrative voice**: Perspective consistency, narrative distance, reliability
|
||||||
|
- **Genre conventions**: How the text adheres to or subverts genre expectations
|
||||||
|
|
||||||
|
When analyzing text, you provide:
|
||||||
|
1. **Structural breakdown** - Identify plot points (inciting incident, midpoint, climax), act divisions, scene types (action/sequel/transition)
|
||||||
|
2. **Character insights** - Character arcs, development techniques, consistency checks, relationship mapping
|
||||||
|
3. **Style metrics** - Sentence length variance, lexical density, dialogue-to-narrative ratio, reading level
|
||||||
|
4. **Technique identification** - Show vs tell instances, foreshadowing, callbacks, sensory detail usage
|
||||||
|
5. **Comparative analysis** - How this compares to genre conventions and similar works
|
||||||
|
6. **Actionable recommendations** - Specific techniques the author can apply to their own work
|
||||||
|
|
||||||
|
You maintain a knowledge base in your sidecar directory where you store:
|
||||||
|
- Analysis reports of texts you've examined
|
||||||
|
- Extracted techniques organized by category
|
||||||
|
- Genre-specific pattern databases
|
||||||
|
- Comparative insights across multiple works
|
||||||
|
|
||||||
|
Always be specific and evidence-based. Quote examples from the text. Provide metrics where possible.
|
||||||
|
After analysis, offer to help the user apply these insights to their own novel.
|
||||||
|
|
||||||
|
menu:
|
||||||
|
greeting: |
|
||||||
|
I'm The Librarian 📚
|
||||||
|
|
||||||
|
I analyze novels and writing samples to extract techniques you can learn from and apply.
|
||||||
|
I maintain a growing knowledge base of narrative patterns, character techniques, and prose strategies.
|
||||||
|
|
||||||
|
What would you like to explore?
|
||||||
|
|
||||||
|
items:
|
||||||
|
- label: "Analyze uploaded text"
|
||||||
|
trigger: "analyze-text"
|
||||||
|
description: "Deep structural, character, and style analysis of a novel or manuscript"
|
||||||
|
|
||||||
|
- label: "Compare two texts"
|
||||||
|
trigger: "compare-texts"
|
||||||
|
description: "Side-by-side comparison of techniques, style, and structure"
|
||||||
|
|
||||||
|
- label: "Extract character techniques"
|
||||||
|
trigger: "extract-character-tech"
|
||||||
|
description: "How does this author develop and reveal character?"
|
||||||
|
|
||||||
|
- label: "Analyze prose style"
|
||||||
|
trigger: "analyze-prose"
|
||||||
|
description: "Sentence structure, rhythm, voice, word choice patterns"
|
||||||
|
|
||||||
|
- label: "Identify plot structure"
|
||||||
|
trigger: "map-plot"
|
||||||
|
description: "Map story beats to Save the Cat/Hero's Journey/3-Act structure"
|
||||||
|
|
||||||
|
- label: "Examine dialogue techniques"
|
||||||
|
trigger: "analyze-dialogue"
|
||||||
|
description: "Character voice, subtext, exposition balance"
|
||||||
|
|
||||||
|
- label: "Genre convention analysis"
|
||||||
|
trigger: "analyze-genre"
|
||||||
|
description: "How does this text use or subvert genre expectations?"
|
||||||
|
|
||||||
|
- label: "Search analysis archive"
|
||||||
|
trigger: "search-archive"
|
||||||
|
description: "Query past analyses from the knowledge base"
|
||||||
|
|
||||||
|
- label: "Generate writing exercises"
|
||||||
|
trigger: "create-exercises"
|
||||||
|
description: "Practice exercises based on analyzed techniques"
|
||||||
|
|
||||||
|
triggers:
|
||||||
|
- "analyze"
|
||||||
|
- "librarian"
|
||||||
|
- "text analysis"
|
||||||
|
- "study"
|
||||||
|
|
@ -0,0 +1,84 @@
|
||||||
|
agent:
|
||||||
|
metadata:
|
||||||
|
id: "muse"
|
||||||
|
name: "The Muse"
|
||||||
|
module: "nws"
|
||||||
|
role: "Narrative Designer"
|
||||||
|
emoji: "✨"
|
||||||
|
description: "Defines the voice, style, and narrative approach that brings your story to life"
|
||||||
|
hasSidecar: false
|
||||||
|
|
||||||
|
persona: |
|
||||||
|
You are The Muse, the Narrative Designer who shapes how your story will be told.
|
||||||
|
|
||||||
|
Your domain:
|
||||||
|
- **Point of view strategy**: First/third person, single/multiple POV, omniscient/limited
|
||||||
|
- **Narrative voice**: Tone, personality, reliability, narrative distance
|
||||||
|
- **Prose style guidelines**: Sentence rhythm, word choice philosophy, figurative language use
|
||||||
|
- **Tense decisions**: Past/present tense and consistency rules
|
||||||
|
- **Chapter structure**: Length targets, opening/closing strategies, scene vs sequel balance
|
||||||
|
- **Pacing techniques**: When to summarize, when to dramatize, scene-level pacing
|
||||||
|
- **Stylistic consistency**: Creating and maintaining a unified narrative voice
|
||||||
|
- **Genre-specific considerations**: Meeting reader expectations for mystery, romance, thriller, etc.
|
||||||
|
|
||||||
|
You create a Narrative Architecture document that includes:
|
||||||
|
- POV and tense specifications
|
||||||
|
- Voice and tone guidelines with examples
|
||||||
|
- Prose style rules (sentence variety, vocabulary level, figurative language)
|
||||||
|
- Chapter/scene structure templates
|
||||||
|
- Pacing strategy (action/sequel ratios, summary vs scene)
|
||||||
|
- Genre-specific stylistic requirements
|
||||||
|
|
||||||
|
This document becomes the style guide that The Scribe follows when writing.
|
||||||
|
You ensure the HOW of storytelling serves the WHAT from Atlas's plot structure.
|
||||||
|
|
||||||
|
You balance artistic expression with reader experience - beauty serves clarity.
|
||||||
|
|
||||||
|
menu:
|
||||||
|
greeting: |
|
||||||
|
I'm The Muse ✨
|
||||||
|
|
||||||
|
I design how your story will be told: the voice, style, and narrative approach.
|
||||||
|
We'll create guidelines that ensure consistency and impact.
|
||||||
|
|
||||||
|
Let's craft your narrative voice.
|
||||||
|
|
||||||
|
items:
|
||||||
|
- label: "Design narrative architecture"
|
||||||
|
trigger: "design-narrative"
|
||||||
|
description: "Complete style guide: POV, voice, tense, structure, pacing"
|
||||||
|
|
||||||
|
- label: "Choose POV strategy"
|
||||||
|
trigger: "choose-pov"
|
||||||
|
description: "First/third person, single/multiple viewpoints, narrative distance"
|
||||||
|
|
||||||
|
- label: "Define narrative voice"
|
||||||
|
trigger: "define-voice"
|
||||||
|
description: "Tone, personality, reliability, distinctive characteristics"
|
||||||
|
|
||||||
|
- label: "Establish prose style"
|
||||||
|
trigger: "set-style"
|
||||||
|
description: "Sentence rhythm, vocabulary, figurative language guidelines"
|
||||||
|
|
||||||
|
- label: "Plan chapter structure"
|
||||||
|
trigger: "plan-chapters"
|
||||||
|
description: "Length, opening/closing patterns, scene organization"
|
||||||
|
|
||||||
|
- label: "Design pacing approach"
|
||||||
|
trigger: "design-pacing"
|
||||||
|
description: "When to dramatize vs summarize, scene/sequel balance"
|
||||||
|
|
||||||
|
- label: "Genre style requirements"
|
||||||
|
trigger: "genre-style"
|
||||||
|
description: "Style expectations for your specific genre"
|
||||||
|
|
||||||
|
- label: "Create voice samples"
|
||||||
|
trigger: "sample-voice"
|
||||||
|
description: "Generate example paragraphs in your narrative voice"
|
||||||
|
|
||||||
|
triggers:
|
||||||
|
- "muse"
|
||||||
|
- "voice"
|
||||||
|
- "style"
|
||||||
|
- "narrative"
|
||||||
|
- "pov"
|
||||||
|
|
@ -0,0 +1,75 @@
|
||||||
|
agent:
|
||||||
|
metadata:
|
||||||
|
id: "sage"
|
||||||
|
name: "The Sage"
|
||||||
|
module: "nws"
|
||||||
|
role: "Story Analyst"
|
||||||
|
emoji: "🔮"
|
||||||
|
description: "Guides discovery of your story's core through structured brainstorming and analysis"
|
||||||
|
hasSidecar: false
|
||||||
|
|
||||||
|
persona: |
|
||||||
|
You are The Sage, a story analyst and creative consultant who helps authors discover the heart of their narrative.
|
||||||
|
|
||||||
|
You excel at:
|
||||||
|
- **Premise development**: Distilling ideas into compelling loglines and elevator pitches
|
||||||
|
- **Conflict identification**: Finding the central dramatic question and core tensions
|
||||||
|
- **Theme exploration**: Uncovering deeper meanings and universal truths
|
||||||
|
- **Risk analysis**: "What could go wrong?" - identifying potential story problems early
|
||||||
|
- **Audience targeting**: Understanding who this story serves and why they'll care
|
||||||
|
- **Stakes escalation**: Ensuring consequences matter to readers
|
||||||
|
- **Goal clarity**: Defining what success looks like for this project
|
||||||
|
|
||||||
|
Your approach:
|
||||||
|
- Ask probing questions to draw out the author's vision
|
||||||
|
- Use multiple brainstorming techniques (SCAMPER, reverse brainstorming, "What if?")
|
||||||
|
- Help identify both story goals and non-goals (what this story is NOT about)
|
||||||
|
- Spot potential plot holes, character inconsistencies, or thematic confusion early
|
||||||
|
- Connect the author's instincts to established story principles
|
||||||
|
|
||||||
|
You work in partnership with the author - you don't impose your vision, but help them clarify theirs.
|
||||||
|
After brainstorming, you produce a Story Brief that serves as the foundation for all future planning.
|
||||||
|
|
||||||
|
menu:
|
||||||
|
greeting: |
|
||||||
|
I'm The Sage 🔮
|
||||||
|
|
||||||
|
I help you discover the essence of your story through structured exploration.
|
||||||
|
We'll identify your core conflict, themes, audience, and potential pitfalls.
|
||||||
|
|
||||||
|
Where shall we begin?
|
||||||
|
|
||||||
|
items:
|
||||||
|
- label: "Brainstorm story concept"
|
||||||
|
trigger: "brainstorm-concept"
|
||||||
|
description: "Free exploration of ideas, themes, and possibilities"
|
||||||
|
|
||||||
|
- label: "Create story brief"
|
||||||
|
trigger: "create-story-brief"
|
||||||
|
description: "Structured document defining premise, conflict, themes, and goals"
|
||||||
|
|
||||||
|
- label: "Identify central conflict"
|
||||||
|
trigger: "find-conflict"
|
||||||
|
description: "Clarify the core dramatic tension driving your story"
|
||||||
|
|
||||||
|
- label: "Explore themes"
|
||||||
|
trigger: "explore-themes"
|
||||||
|
description: "Uncover deeper meanings and universal truths"
|
||||||
|
|
||||||
|
- label: "Risk analysis"
|
||||||
|
trigger: "risk-analysis"
|
||||||
|
description: "What could go wrong with this story? Early problem detection"
|
||||||
|
|
||||||
|
- label: "Define audience"
|
||||||
|
trigger: "define-audience"
|
||||||
|
description: "Who is this story for and what will they get from it?"
|
||||||
|
|
||||||
|
- label: "Refine premise"
|
||||||
|
trigger: "refine-premise"
|
||||||
|
description: "Craft a compelling logline and elevator pitch"
|
||||||
|
|
||||||
|
triggers:
|
||||||
|
- "sage"
|
||||||
|
- "brainstorm"
|
||||||
|
- "story brief"
|
||||||
|
- "concept"
|
||||||
|
|
@ -0,0 +1,91 @@
|
||||||
|
agent:
|
||||||
|
metadata:
|
||||||
|
id: "scribe"
|
||||||
|
name: "The Scribe"
|
||||||
|
module: "nws"
|
||||||
|
role: "Scene Writer"
|
||||||
|
emoji: "✍️"
|
||||||
|
description: "Drafts chapters and scenes following your architecture and voice guidelines"
|
||||||
|
hasSidecar: false
|
||||||
|
|
||||||
|
persona: |
|
||||||
|
You are The Scribe, the writing partner who helps draft your novel scene by scene.
|
||||||
|
|
||||||
|
Your process:
|
||||||
|
- Reference character profiles to ensure consistency in voice, behavior, and arc progression
|
||||||
|
- Follow plot structure to hit the right beats at the right moments
|
||||||
|
- Apply narrative voice guidelines from The Muse to maintain stylistic consistency
|
||||||
|
- Focus on one scene/chapter at a time with full attention to craft
|
||||||
|
- Track continuity, callbacks, and foreshadowing
|
||||||
|
- Balance showing vs telling, action vs reflection
|
||||||
|
- Create vivid sensory details and emotional resonance
|
||||||
|
|
||||||
|
You understand scene structure:
|
||||||
|
- **Goal**: What the POV character wants in this scene
|
||||||
|
- **Conflict**: What prevents them from getting it
|
||||||
|
- **Disaster**: The setback that propels the story forward
|
||||||
|
- **Reaction**: Emotional processing of the disaster
|
||||||
|
- **Dilemma**: The difficult choice facing the character
|
||||||
|
- **Decision**: The choice that launches the next scene
|
||||||
|
|
||||||
|
You DON'T just generate text - you collaborate:
|
||||||
|
- Ask about specific character choices when motivations are unclear
|
||||||
|
- Suggest alternatives if something doesn't serve the story
|
||||||
|
- Flag potential continuity issues
|
||||||
|
- Offer multiple approaches when creative decisions arise
|
||||||
|
|
||||||
|
You write WITH the author, not FOR them. The goal is to help them write their best work.
|
||||||
|
|
||||||
|
After drafting, you can suggest revisions, identify weak points, and help polish prose.
|
||||||
|
|
||||||
|
menu:
|
||||||
|
greeting: |
|
||||||
|
I'm The Scribe ✍️
|
||||||
|
|
||||||
|
I help you draft your novel, scene by scene, following your architecture and voice.
|
||||||
|
I ensure consistency with characters, plot, and style while maintaining craft quality.
|
||||||
|
|
||||||
|
Ready to write?
|
||||||
|
|
||||||
|
items:
|
||||||
|
- label: "Write chapter/scene"
|
||||||
|
trigger: "write-chapter"
|
||||||
|
description: "Draft a new chapter following your plot outline and style guide"
|
||||||
|
|
||||||
|
- label: "Continue from draft"
|
||||||
|
trigger: "continue-draft"
|
||||||
|
description: "Pick up where you left off in an existing chapter"
|
||||||
|
|
||||||
|
- label: "Rewrite scene"
|
||||||
|
trigger: "rewrite-scene"
|
||||||
|
description: "Revise an existing scene with specific improvements"
|
||||||
|
|
||||||
|
- label: "Expand outline"
|
||||||
|
trigger: "expand-outline"
|
||||||
|
description: "Turn a brief scene description into full prose"
|
||||||
|
|
||||||
|
- label: "Write dialogue"
|
||||||
|
trigger: "write-dialogue"
|
||||||
|
description: "Draft a specific conversation or dialogue exchange"
|
||||||
|
|
||||||
|
- label: "Describe setting"
|
||||||
|
trigger: "describe-setting"
|
||||||
|
description: "Create vivid scene-setting descriptions"
|
||||||
|
|
||||||
|
- label: "Write action sequence"
|
||||||
|
trigger: "write-action"
|
||||||
|
description: "Draft a fight, chase, or other action scene"
|
||||||
|
|
||||||
|
- label: "Check continuity"
|
||||||
|
trigger: "check-continuity"
|
||||||
|
description: "Verify consistency with earlier chapters"
|
||||||
|
|
||||||
|
- label: "Polish prose"
|
||||||
|
trigger: "polish"
|
||||||
|
description: "Refine sentence-level craft in existing draft"
|
||||||
|
|
||||||
|
triggers:
|
||||||
|
- "scribe"
|
||||||
|
- "write"
|
||||||
|
- "draft"
|
||||||
|
- "chapter"
|
||||||
|
|
@ -0,0 +1,176 @@
|
||||||
|
# NWS Installation Guide
|
||||||
|
|
||||||
|
## How It Works
|
||||||
|
|
||||||
|
NWS lives inside the `bmad-novel-suite` fork of BMAD-METHOD at `src/modules/nws/`. The BMAD installer compiles the agent YAML files, copies all module files into your novel project's `_bmad/nws/` directory, and generates the AI tool slash commands.
|
||||||
|
|
||||||
|
## Prerequisites
|
||||||
|
|
||||||
|
- Node.js 18+
|
||||||
|
- The `bmad-novel-suite` repository cloned locally
|
||||||
|
- A novel project directory to install into
|
||||||
|
|
||||||
|
```bash
|
||||||
|
git clone https://github.com/YOUR_USERNAME/bmad-novel-suite.git
|
||||||
|
cd bmad-novel-suite
|
||||||
|
npm install
|
||||||
|
```
|
||||||
|
|
||||||
|
## Installing NWS into a Project
|
||||||
|
|
||||||
|
Run the installer from the `bmad-novel-suite` root — **not** `npx bmad-method install`, which uses the published npm package and won't find your local module:
|
||||||
|
|
||||||
|
```bash
|
||||||
|
node tools/bmad-npx-wrapper.js install
|
||||||
|
```
|
||||||
|
|
||||||
|
When prompted:
|
||||||
|
1. Enter your novel project path (e.g. `/Users/you/my-novel`)
|
||||||
|
2. Select **Novel Writing Suite** from the module list
|
||||||
|
3. Select your AI tool (Claude Code, Cursor, etc.)
|
||||||
|
4. Complete setup
|
||||||
|
|
||||||
|
## What Gets Installed
|
||||||
|
|
||||||
|
```
|
||||||
|
your-novel-project/
|
||||||
|
├── _bmad/
|
||||||
|
│ ├── nws/
|
||||||
|
│ │ ├── agents/ # Compiled agent files (6 agents)
|
||||||
|
│ │ ├── workflows/ # 5 workflow definitions
|
||||||
|
│ │ ├── knowledge/ # Writing craft reference
|
||||||
|
│ │ └── docs/ # This documentation
|
||||||
|
│ └── _memory/
|
||||||
|
│ └── librarian-sidecar/ # Librarian's persistent knowledge base
|
||||||
|
└── .claude/
|
||||||
|
└── commands/
|
||||||
|
├── bmad-agent-nws-atlas.md
|
||||||
|
├── bmad-agent-nws-editor.md
|
||||||
|
├── bmad-agent-nws-librarian.md
|
||||||
|
├── bmad-agent-nws-muse.md
|
||||||
|
├── bmad-agent-nws-sage.md
|
||||||
|
└── bmad-agent-nws-scribe.md
|
||||||
|
```
|
||||||
|
|
||||||
|
## Accessing the Agents (Claude Code)
|
||||||
|
|
||||||
|
After installation, agents appear as slash commands. In Claude Code, type `/` and search for `nws`:
|
||||||
|
|
||||||
|
| Command | Agent |
|
||||||
|
|---|---|
|
||||||
|
| `/bmad-agent-nws-librarian` | The Librarian — text analysis |
|
||||||
|
| `/bmad-agent-nws-sage` | The Sage — story discovery |
|
||||||
|
| `/bmad-agent-nws-atlas` | Atlas — story architecture |
|
||||||
|
| `/bmad-agent-nws-muse` | The Muse — narrative voice |
|
||||||
|
| `/bmad-agent-nws-scribe` | The Scribe — chapter drafting |
|
||||||
|
| `/bmad-agent-nws-editor` | The Editor — revision |
|
||||||
|
|
||||||
|
## Verify Installation
|
||||||
|
|
||||||
|
```bash
|
||||||
|
# Agents compiled
|
||||||
|
ls _bmad/nws/agents/
|
||||||
|
|
||||||
|
# Workflows present
|
||||||
|
ls _bmad/nws/workflows/
|
||||||
|
|
||||||
|
# Claude Code commands created
|
||||||
|
ls .claude/commands/bmad-agent-nws-*.md
|
||||||
|
|
||||||
|
# Librarian sidecar initialized
|
||||||
|
ls _bmad/_memory/librarian-sidecar/
|
||||||
|
```
|
||||||
|
|
||||||
|
## Troubleshooting
|
||||||
|
|
||||||
|
### Agent not appearing as slash command
|
||||||
|
|
||||||
|
- Verify `.claude/commands/bmad-agent-nws-*.md` files exist in your novel project
|
||||||
|
- Restart Claude Code (commands are loaded at startup)
|
||||||
|
- Re-run the installer from the `bmad-novel-suite` directory
|
||||||
|
|
||||||
|
### Module not listed during install
|
||||||
|
|
||||||
|
- Confirm you are running `node tools/bmad-npx-wrapper.js install` from the `bmad-novel-suite` root, **not** `npx bmad-method install`
|
||||||
|
- Verify `src/modules/nws/module.yaml` exists
|
||||||
|
|
||||||
|
### Agent compiles but doesn't respond correctly
|
||||||
|
|
||||||
|
- Check the compiled agent: `cat _bmad/nws/agents/muse.md`
|
||||||
|
- It should contain an `<agent>` XML block with persona and menu
|
||||||
|
- Re-run the installer to recompile
|
||||||
|
|
||||||
|
### Librarian sidecar missing
|
||||||
|
|
||||||
|
- In `src/modules/nws/agents/librarian.agent.yaml`, verify `hasSidecar: true` is set in `agent.metadata`
|
||||||
|
- Re-run the installer
|
||||||
|
|
||||||
|
## Updating NWS
|
||||||
|
|
||||||
|
When you change agent or workflow files in `src/modules/nws/`, re-run the installer to recompile and redeploy:
|
||||||
|
|
||||||
|
```bash
|
||||||
|
# From bmad-novel-suite root
|
||||||
|
node tools/bmad-npx-wrapper.js install
|
||||||
|
# Choose "Update" when prompted, select your novel project
|
||||||
|
```
|
||||||
|
|
||||||
|
## Development Workflow
|
||||||
|
|
||||||
|
```bash
|
||||||
|
# 1. Edit agent YAML
|
||||||
|
vim src/modules/nws/agents/muse.agent.yaml
|
||||||
|
|
||||||
|
# 2. Re-run installer to compile and install
|
||||||
|
node tools/bmad-npx-wrapper.js install
|
||||||
|
|
||||||
|
# 3. Open Claude Code in your novel project and test
|
||||||
|
/bmad-agent-nws-muse
|
||||||
|
```
|
||||||
|
|
||||||
|
### Adding a New Agent
|
||||||
|
|
||||||
|
1. Create `src/modules/nws/agents/newagent.agent.yaml` following the structure of existing agents
|
||||||
|
2. If the agent needs persistent storage, create `src/modules/nws/agents/newagent-sidecar/` and set `hasSidecar: true` in metadata
|
||||||
|
3. Re-run the installer
|
||||||
|
|
||||||
|
### Adding a New Workflow
|
||||||
|
|
||||||
|
1. Create `src/modules/nws/workflows/new-workflow/workflow.yaml`
|
||||||
|
2. Optionally add `workflow.md` for user documentation
|
||||||
|
3. Reference the workflow in an agent's menu items
|
||||||
|
4. Re-run the installer
|
||||||
|
|
||||||
|
## Module Source Structure
|
||||||
|
|
||||||
|
```
|
||||||
|
src/modules/nws/
|
||||||
|
├── module.yaml # Module config (name, version, code: "nws")
|
||||||
|
├── agents/
|
||||||
|
│ ├── librarian.agent.yaml
|
||||||
|
│ ├── librarian-sidecar/ # Librarian's persistent storage template
|
||||||
|
│ │ ├── instructions.md
|
||||||
|
│ │ ├── memories.md
|
||||||
|
│ │ └── knowledge/
|
||||||
|
│ │ ├── analyzed-texts/
|
||||||
|
│ │ ├── technique-patterns/
|
||||||
|
│ │ └── genre-databases/
|
||||||
|
│ ├── sage.agent.yaml
|
||||||
|
│ ├── atlas.agent.yaml
|
||||||
|
│ ├── muse.agent.yaml
|
||||||
|
│ ├── scribe.agent.yaml
|
||||||
|
│ └── editor.agent.yaml
|
||||||
|
├── workflows/
|
||||||
|
│ ├── analyze-text/
|
||||||
|
│ ├── create-story-brief/
|
||||||
|
│ ├── create-character-profiles/
|
||||||
|
│ ├── design-plot-structure/
|
||||||
|
│ └── write-chapter/
|
||||||
|
├── knowledge/
|
||||||
|
│ ├── narrative-techniques.md
|
||||||
|
│ └── genre-conventions.md
|
||||||
|
└── docs/
|
||||||
|
├── README.md
|
||||||
|
├── INSTALL.md # This file
|
||||||
|
└── QUICKSTART.md
|
||||||
|
```
|
||||||
|
|
@ -0,0 +1,116 @@
|
||||||
|
# NWS Quick Start
|
||||||
|
|
||||||
|
## 1. Install
|
||||||
|
|
||||||
|
From the `bmad-novel-suite` repository root:
|
||||||
|
|
||||||
|
```bash
|
||||||
|
node tools/bmad-npx-wrapper.js install
|
||||||
|
```
|
||||||
|
|
||||||
|
Select **Novel Writing Suite**, your novel project directory, and your AI tool. See [INSTALL.md](INSTALL.md) for full details.
|
||||||
|
|
||||||
|
## 2. Open Your Novel Project in Claude Code
|
||||||
|
|
||||||
|
After installation, six slash commands are available. Type `/` and search for `nws`:
|
||||||
|
|
||||||
|
```
|
||||||
|
/bmad-agent-nws-librarian — analyze published novels
|
||||||
|
/bmad-agent-nws-sage — discover your story
|
||||||
|
/bmad-agent-nws-atlas — plan characters and plot
|
||||||
|
/bmad-agent-nws-muse — design your narrative voice
|
||||||
|
/bmad-agent-nws-scribe — draft chapters
|
||||||
|
/bmad-agent-nws-editor — revise and polish
|
||||||
|
```
|
||||||
|
|
||||||
|
## 3. Recommended Starting Path
|
||||||
|
|
||||||
|
### Study a book you admire (optional but powerful)
|
||||||
|
|
||||||
|
```
|
||||||
|
/bmad-agent-nws-librarian
|
||||||
|
> Analyze uploaded text
|
||||||
|
[Paste or upload a chapter from a novel in your genre]
|
||||||
|
```
|
||||||
|
|
||||||
|
The Librarian extracts plot structure, character techniques, prose rhythm, and specific craft patterns — all saved to your persistent knowledge base.
|
||||||
|
|
||||||
|
### Discover your story
|
||||||
|
|
||||||
|
```
|
||||||
|
/bmad-agent-nws-sage
|
||||||
|
> Create story brief
|
||||||
|
```
|
||||||
|
|
||||||
|
Sage helps you clarify premise, central conflict, themes, and audience. Produces a **story-brief.md** document.
|
||||||
|
|
||||||
|
### Build your architecture
|
||||||
|
|
||||||
|
```
|
||||||
|
/bmad-agent-nws-atlas
|
||||||
|
> Create character profiles
|
||||||
|
> Design plot structure
|
||||||
|
```
|
||||||
|
|
||||||
|
Atlas designs your characters (arcs, motivations, relationships) and maps your plot beat by beat.
|
||||||
|
|
||||||
|
### Define your voice
|
||||||
|
|
||||||
|
```
|
||||||
|
/bmad-agent-nws-muse
|
||||||
|
> Design narrative architecture
|
||||||
|
```
|
||||||
|
|
||||||
|
Muse locks in POV, tense, prose style guidelines, and chapter structure — the style guide Scribe follows when drafting.
|
||||||
|
|
||||||
|
### Write
|
||||||
|
|
||||||
|
```
|
||||||
|
/bmad-agent-nws-scribe
|
||||||
|
> Write chapter
|
||||||
|
```
|
||||||
|
|
||||||
|
Scribe drafts with you, referencing your architecture documents and applying the techniques from Librarian's analysis.
|
||||||
|
|
||||||
|
### Revise
|
||||||
|
|
||||||
|
```
|
||||||
|
/bmad-agent-nws-editor
|
||||||
|
> Developmental edit
|
||||||
|
```
|
||||||
|
|
||||||
|
Editor reviews structure, character, pacing (developmental), prose and sentences (line edit), or grammar and consistency (copy edit).
|
||||||
|
|
||||||
|
## What Each Agent Produces
|
||||||
|
|
||||||
|
| Agent | Output |
|
||||||
|
|---|---|
|
||||||
|
| Librarian | Analysis reports, persistent technique library |
|
||||||
|
| Sage | `story-brief.md` |
|
||||||
|
| Atlas | `character-profiles.md`, `plot-outline.md` |
|
||||||
|
| Muse | `narrative-architecture.md` |
|
||||||
|
| Scribe | Chapter drafts |
|
||||||
|
| Editor | Critique reports with specific suggestions |
|
||||||
|
|
||||||
|
## Available Workflows
|
||||||
|
|
||||||
|
Workflows are structured multi-step processes you can run directly:
|
||||||
|
|
||||||
|
- `analyze-text` — deep analysis of a novel passage
|
||||||
|
- `create-story-brief` — guided story discovery
|
||||||
|
- `create-character-profiles` — character development
|
||||||
|
- `design-plot-structure` — act-by-act outline
|
||||||
|
- `write-chapter` — guided chapter drafting
|
||||||
|
|
||||||
|
## The Core Idea
|
||||||
|
|
||||||
|
NWS is built around one principle: **you learn craft by understanding why great writing works, not by having AI write for you.**
|
||||||
|
|
||||||
|
The loop:
|
||||||
|
1. **Analyze** — Librarian studies a published novel
|
||||||
|
2. **Plan** — Sage and Atlas design your story with those insights
|
||||||
|
3. **Write** — Scribe drafts using your architecture
|
||||||
|
4. **Revise** — Editor strengthens the manuscript
|
||||||
|
5. **Repeat** — knowledge base grows with every book studied
|
||||||
|
|
||||||
|
Good luck! 📚
|
||||||
|
|
@ -0,0 +1,355 @@
|
||||||
|
# Novel Writing Suite (NWS) - BMAD Module
|
||||||
|
|
||||||
|
AI-powered novel writing framework with advanced text analysis, structured planning, and collaborative drafting.
|
||||||
|
|
||||||
|
## What Makes NWS Unique
|
||||||
|
|
||||||
|
**Text Analysis Engine**: The Librarian agent can analyze published novels to extract techniques, patterns, and craft insights you can apply to your own writing. This isn't about copying - it's about understanding *why* great writing works and learning those principles.
|
||||||
|
|
||||||
|
**Structured Novel Development**: From premise to finished manuscript, NWS guides you through:
|
||||||
|
1. **Discovery** (Sage) - Brainstorm and define your story
|
||||||
|
2. **Architecture** (Atlas) - Plan characters, plot, world
|
||||||
|
3. **Voice Design** (Muse) - Define how your story will be told
|
||||||
|
4. **Drafting** (Scribe) - Write scene by scene
|
||||||
|
5. **Revision** (Editor) - Polish and strengthen
|
||||||
|
|
||||||
|
**Learning Through Analysis**: Build a growing knowledge base of narrative techniques extracted from books you study.
|
||||||
|
|
||||||
|
## Quick Start
|
||||||
|
|
||||||
|
### Installation
|
||||||
|
|
||||||
|
From the `bmad-novel-suite` repository root (not `npx bmad-method install` — that uses the published package):
|
||||||
|
|
||||||
|
```bash
|
||||||
|
node tools/bmad-npx-wrapper.js install
|
||||||
|
```
|
||||||
|
|
||||||
|
Select **Novel Writing Suite**, your novel project directory, and your AI tool. See [INSTALL.md](INSTALL.md) for full details.
|
||||||
|
|
||||||
|
### First Steps (Claude Code)
|
||||||
|
|
||||||
|
**1. Analyze a book you admire**
|
||||||
|
```
|
||||||
|
/bmad-agent-nws-librarian
|
||||||
|
> Analyze uploaded text
|
||||||
|
[Upload a chapter or full novel]
|
||||||
|
```
|
||||||
|
|
||||||
|
You'll get:
|
||||||
|
- Structural breakdown (plot beats, pacing)
|
||||||
|
- Character technique analysis
|
||||||
|
- Prose style metrics
|
||||||
|
- Specific techniques to learn
|
||||||
|
|
||||||
|
**2. Start your novel planning**
|
||||||
|
```
|
||||||
|
/bmad-agent-nws-sage
|
||||||
|
> Create story brief
|
||||||
|
[Brainstorm your premise, conflict, themes]
|
||||||
|
```
|
||||||
|
|
||||||
|
**3. Develop your characters**
|
||||||
|
```
|
||||||
|
/bmad-agent-nws-atlas
|
||||||
|
> Create character profiles
|
||||||
|
[Design arcs, motivations, relationships]
|
||||||
|
```
|
||||||
|
|
||||||
|
**4. Build your plot**
|
||||||
|
```
|
||||||
|
/bmad-agent-nws-atlas
|
||||||
|
> Design plot structure
|
||||||
|
[Map to 3-Act, Hero's Journey, or other framework]
|
||||||
|
```
|
||||||
|
|
||||||
|
**5. Define your voice**
|
||||||
|
```
|
||||||
|
/bmad-agent-nws-muse
|
||||||
|
> Design narrative architecture
|
||||||
|
[POV, tense, style guidelines]
|
||||||
|
```
|
||||||
|
|
||||||
|
**6. Write**
|
||||||
|
```
|
||||||
|
/bmad-agent-nws-scribe
|
||||||
|
> Write chapter
|
||||||
|
[Draft following your architecture]
|
||||||
|
```
|
||||||
|
|
||||||
|
**7. Revise**
|
||||||
|
```
|
||||||
|
/bmad-agent-nws-editor
|
||||||
|
> Developmental edit
|
||||||
|
[Get feedback on structure, character, pacing]
|
||||||
|
```
|
||||||
|
|
||||||
|
## The Agents
|
||||||
|
|
||||||
|
### 📚 The Librarian (Text Analysis)
|
||||||
|
Your literary scholar who analyzes published works to extract techniques.
|
||||||
|
|
||||||
|
**Use for:**
|
||||||
|
- Studying how bestsellers in your genre work
|
||||||
|
- Learning specific techniques (dialogue, pacing, character)
|
||||||
|
- Building your craft knowledge
|
||||||
|
- Understanding genre conventions
|
||||||
|
|
||||||
|
**Key features:**
|
||||||
|
- Structural analysis (plot beats, act structure)
|
||||||
|
- Character arc dissection
|
||||||
|
- Prose metrics (sentence variety, dialogue ratio)
|
||||||
|
- Technique extraction with examples
|
||||||
|
- Genre convention analysis
|
||||||
|
- Persistent knowledge base
|
||||||
|
|
||||||
|
### 🔮 The Sage (Story Analyst)
|
||||||
|
Your creative consultant who helps discover your story's essence.
|
||||||
|
|
||||||
|
**Use for:**
|
||||||
|
- Brainstorming premises
|
||||||
|
- Identifying central conflict
|
||||||
|
- Exploring themes
|
||||||
|
- Risk analysis (what could go wrong)
|
||||||
|
- Defining audience
|
||||||
|
|
||||||
|
**Produces:** Story Brief document
|
||||||
|
|
||||||
|
### 🗺️ Atlas (Story Architect)
|
||||||
|
Your structural engineer who designs the blueprint.
|
||||||
|
|
||||||
|
**Use for:**
|
||||||
|
- Character profiles with arcs
|
||||||
|
- Plot structure and scene breakdown
|
||||||
|
- World-building specs
|
||||||
|
- Relationship mapping
|
||||||
|
- Pacing strategy
|
||||||
|
|
||||||
|
**Produces:** Character Profiles, Plot Outline, World-Building docs
|
||||||
|
|
||||||
|
### ✨ The Muse (Narrative Designer)
|
||||||
|
Your style guide who defines how the story is told.
|
||||||
|
|
||||||
|
**Use for:**
|
||||||
|
- POV strategy (first/third, single/multiple)
|
||||||
|
- Narrative voice definition
|
||||||
|
- Prose style guidelines
|
||||||
|
- Chapter structure templates
|
||||||
|
- Tense and consistency rules
|
||||||
|
|
||||||
|
**Produces:** Narrative Architecture document
|
||||||
|
|
||||||
|
### ✍️ The Scribe (Scene Writer)
|
||||||
|
Your writing partner who drafts with you.
|
||||||
|
|
||||||
|
**Use for:**
|
||||||
|
- Chapter/scene drafting
|
||||||
|
- Dialogue writing
|
||||||
|
- Action sequences
|
||||||
|
- Setting descriptions
|
||||||
|
- Continuity checking
|
||||||
|
|
||||||
|
**Produces:** Chapter drafts
|
||||||
|
|
||||||
|
### 📝 The Editor (Editorial Specialist)
|
||||||
|
Your manuscript critic at three levels.
|
||||||
|
|
||||||
|
**Use for:**
|
||||||
|
- Developmental editing (structure, character, pacing)
|
||||||
|
- Line editing (prose, sentences, word choice)
|
||||||
|
- Copy editing (grammar, consistency)
|
||||||
|
- Opening pages critique
|
||||||
|
- Pacing analysis
|
||||||
|
|
||||||
|
**Produces:** Critique reports with specific suggestions
|
||||||
|
|
||||||
|
## Workflows
|
||||||
|
|
||||||
|
- **analyze-text**: Deep analysis of uploaded novels
|
||||||
|
- **create-story-brief**: Foundational planning document
|
||||||
|
- **create-character-profiles**: Detailed character development
|
||||||
|
- **design-plot-structure**: Act-by-act outline
|
||||||
|
- **write-chapter**: Guided chapter drafting
|
||||||
|
|
||||||
|
## Document Structure
|
||||||
|
|
||||||
|
NWS creates this structure in your novel project:
|
||||||
|
|
||||||
|
```
|
||||||
|
my-novel/
|
||||||
|
├── docs/
|
||||||
|
│ ├── story-brief.md # Core vision
|
||||||
|
│ ├── character-profiles.md # Character sheets
|
||||||
|
│ ├── plot-outline.md # Act/scene breakdown
|
||||||
|
│ ├── narrative-architecture.md # Voice/style guide
|
||||||
|
│ └── world-building.md # Setting details (if needed)
|
||||||
|
├── chapters/
|
||||||
|
│ ├── chapter-01.md
|
||||||
|
│ ├── chapter-02.md
|
||||||
|
│ └── ...
|
||||||
|
└── _bmad/
|
||||||
|
├── nws/
|
||||||
|
│ ├── agents/ # Compiled agent files
|
||||||
|
│ ├── workflows/ # Workflow definitions
|
||||||
|
│ └── knowledge/ # Writing craft reference
|
||||||
|
└── _memory/
|
||||||
|
└── librarian-sidecar/
|
||||||
|
└── knowledge/ # Your analysis archive
|
||||||
|
├── analyzed-texts/ # Book analyses
|
||||||
|
├── technique-patterns/ # Extracted techniques
|
||||||
|
└── genre-databases/ # Genre insights
|
||||||
|
```
|
||||||
|
|
||||||
|
## Learning Philosophy
|
||||||
|
|
||||||
|
NWS is designed around a key principle: **You learn to write by understanding craft, not by having AI write for you.**
|
||||||
|
|
||||||
|
### The Learning Cycle
|
||||||
|
1. **Analyze**: Study how published authors achieve effects
|
||||||
|
2. **Extract**: Identify specific techniques
|
||||||
|
3. **Practice**: Apply techniques in your writing
|
||||||
|
4. **Iterate**: Get feedback and improve
|
||||||
|
|
||||||
|
### Knowledge Base Growth
|
||||||
|
As you analyze more texts, your knowledge base grows:
|
||||||
|
- Technique library expands
|
||||||
|
- Genre understanding deepens
|
||||||
|
- Pattern recognition improves
|
||||||
|
- Your own craft develops
|
||||||
|
|
||||||
|
## Example Session
|
||||||
|
|
||||||
|
```
|
||||||
|
# Study a book you admire
|
||||||
|
/bmad-agent-nws-librarian
|
||||||
|
> analyze-text
|
||||||
|
[Upload "The Name of the Wind" Chapter 1]
|
||||||
|
|
||||||
|
# Librarian finds:
|
||||||
|
# - First person unreliable narrator techniques
|
||||||
|
# - Frame story structure
|
||||||
|
# - Prose rhythm (varied sentence length)
|
||||||
|
# - Character voice through word choice
|
||||||
|
# - Show vs tell balance in worldbuilding
|
||||||
|
|
||||||
|
# Apply to your novel
|
||||||
|
/bmad-agent-nws-scribe
|
||||||
|
> write-chapter 1
|
||||||
|
[Reference librarian's analysis of first person techniques]
|
||||||
|
[Apply: Character voice, prose rhythm, worldbuilding balance]
|
||||||
|
|
||||||
|
# Review what you wrote
|
||||||
|
/bmad-agent-nws-editor
|
||||||
|
> line-edit
|
||||||
|
[Get feedback on how well you applied those techniques]
|
||||||
|
|
||||||
|
# Repeat and improve
|
||||||
|
```
|
||||||
|
|
||||||
|
## Tips for Best Results
|
||||||
|
|
||||||
|
### Text Analysis
|
||||||
|
- Analyze full chapters, not fragments
|
||||||
|
- Focus on books in your target genre
|
||||||
|
- Compare multiple authors' approaches
|
||||||
|
- Build analysis library over time
|
||||||
|
|
||||||
|
### Planning
|
||||||
|
- Complete story brief before architecture
|
||||||
|
- Reference analyses when making structure choices
|
||||||
|
- Don't over-plan - leave room for discovery
|
||||||
|
- Update documents as story evolves
|
||||||
|
|
||||||
|
### Writing
|
||||||
|
- Write imperfect first drafts
|
||||||
|
- Reference character profiles for consistency
|
||||||
|
- Follow narrative architecture for voice
|
||||||
|
- Track continuity as you go
|
||||||
|
|
||||||
|
### Revision
|
||||||
|
- Big-picture edits first (developmental)
|
||||||
|
- Then prose level (line editing)
|
||||||
|
- Finally technical (copy editing)
|
||||||
|
- Consider multiple draft passes
|
||||||
|
|
||||||
|
## Integration with BMAD Method
|
||||||
|
|
||||||
|
NWS works within the BMAD ecosystem:
|
||||||
|
|
||||||
|
### Party Mode
|
||||||
|
Bring multiple agents into one session:
|
||||||
|
```
|
||||||
|
/bmad-party-mode
|
||||||
|
[Select nws agents to collaborate on planning]
|
||||||
|
```
|
||||||
|
|
||||||
|
### BMAD Help
|
||||||
|
```
|
||||||
|
/bmad-help
|
||||||
|
[Get guidance on which agent/workflow to use]
|
||||||
|
```
|
||||||
|
|
||||||
|
### Custom Extensions
|
||||||
|
Use BMad Builder to create:
|
||||||
|
- Genre-specific agents
|
||||||
|
- Custom workflows
|
||||||
|
- Additional analysis tools
|
||||||
|
|
||||||
|
## Advanced Features
|
||||||
|
|
||||||
|
### Persistent Knowledge
|
||||||
|
Librarian's sidecar stores all analyses permanently. Your craft library grows with every book you study.
|
||||||
|
|
||||||
|
### Cross-Reference
|
||||||
|
Agents reference each other's work:
|
||||||
|
- Scribe follows Atlas's plot outline
|
||||||
|
- Muse uses genre conventions from Librarian
|
||||||
|
- Editor checks against narrative architecture
|
||||||
|
|
||||||
|
### Technique Application
|
||||||
|
When Librarian identifies a technique, you can immediately:
|
||||||
|
1. Generate practice exercises
|
||||||
|
2. Apply to your current chapter
|
||||||
|
3. Create a writing experiment
|
||||||
|
4. Add to your personal style guide
|
||||||
|
|
||||||
|
## Comparison: NWS vs Just Using Claude
|
||||||
|
|
||||||
|
**Just Claude:**
|
||||||
|
- One-off conversations
|
||||||
|
- No persistent knowledge
|
||||||
|
- Generic writing advice
|
||||||
|
- You prompt from scratch each time
|
||||||
|
|
||||||
|
**NWS:**
|
||||||
|
- Structured workflow across full novel
|
||||||
|
- Growing knowledge base from analyses
|
||||||
|
- Genre-specific guidance
|
||||||
|
- Agents remember your story architecture
|
||||||
|
- Specialized personas for different tasks
|
||||||
|
- Systematic craft development
|
||||||
|
|
||||||
|
## Roadmap
|
||||||
|
|
||||||
|
Planned features:
|
||||||
|
- Automated continuity tracking
|
||||||
|
- Character relationship graphs
|
||||||
|
- Timeline visualization
|
||||||
|
- Pacing heat maps
|
||||||
|
- Style consistency checker
|
||||||
|
- Comparative draft analysis
|
||||||
|
- Agent "memories" of previous sessions
|
||||||
|
|
||||||
|
## Credits
|
||||||
|
|
||||||
|
Built on the BMAD Method framework by @bmadcode.
|
||||||
|
|
||||||
|
NWS created for authors who want to learn craft while writing, not just generate text.
|
||||||
|
|
||||||
|
## License
|
||||||
|
|
||||||
|
MIT License - Free and open source
|
||||||
|
|
||||||
|
---
|
||||||
|
|
||||||
|
**Start writing better by understanding how great writing works.**
|
||||||
|
|
@ -0,0 +1,375 @@
|
||||||
|
# Genre Conventions Reference
|
||||||
|
|
||||||
|
Understanding what readers expect in each genre - and when to subvert those expectations.
|
||||||
|
|
||||||
|
## Mystery/Thriller
|
||||||
|
|
||||||
|
### Core Requirements
|
||||||
|
- **Central mystery/question**: What happened? Who did it? Why?
|
||||||
|
- **Clues and red herrings**: Fair play - reader should be able to solve it
|
||||||
|
- **Rising tension**: Stakes escalate, danger increases
|
||||||
|
- **Satisfying revelation**: Solution must be logical, surprising yet inevitable
|
||||||
|
|
||||||
|
### Structure Patterns
|
||||||
|
- **Act 1**: Crime/mystery introduced, detective/protagonist involved
|
||||||
|
- **Act 2A**: Investigation, clues gathered, suspects identified
|
||||||
|
- **Act 2B**: Complications, false solutions, danger to protagonist
|
||||||
|
- **Act 3**: True solution revealed, confrontation with antagonist
|
||||||
|
|
||||||
|
### Pacing Expectations
|
||||||
|
- **Fast overall**: No long expository pauses
|
||||||
|
- **Clue placement**: Regular revelations keep reader engaged
|
||||||
|
- **Chapter endings**: Cliffhangers, discoveries, setbacks
|
||||||
|
|
||||||
|
### Subgenre Variations
|
||||||
|
- **Cozy Mystery**: Amateur detective, small town, minimal violence/sex, often humorous
|
||||||
|
- **Police Procedural**: Realistic investigation methods, ensemble cast
|
||||||
|
- **Psychological Thriller**: Internal tension, unreliable narrator, twist endings
|
||||||
|
- **Legal Thriller**: Courtroom drama, lawyer protagonist, procedural elements
|
||||||
|
|
||||||
|
### Common Tropes
|
||||||
|
- The locked room mystery
|
||||||
|
- The least likely suspect
|
||||||
|
- The detective's dark past
|
||||||
|
- The partner who betrays
|
||||||
|
- The innocent accused
|
||||||
|
- The serial pattern
|
||||||
|
|
||||||
|
### Successful Subversions
|
||||||
|
- Revealing the "who" early, focusing on "why" or "how"
|
||||||
|
- Unreliable protagonist detective
|
||||||
|
- No neat resolution (ambiguous endings)
|
||||||
|
- Multiple valid solutions
|
||||||
|
|
||||||
|
---
|
||||||
|
|
||||||
|
## Romance
|
||||||
|
|
||||||
|
### Core Requirements
|
||||||
|
- **Central relationship**: The romance is the main plot, not subplot
|
||||||
|
- **Emotional arc**: Characters grow through relationship
|
||||||
|
- **HEA or HFN**: Happily Ever After or Happy For Now ending
|
||||||
|
- **Satisfying payoff**: Relationship problems resolved, couple together
|
||||||
|
|
||||||
|
### Structure Patterns (Romance Beat Sheet)
|
||||||
|
- **Meet-cute**: Memorable first meeting
|
||||||
|
- **Attraction**: Immediate chemistry but obstacles
|
||||||
|
- **First kiss/intimate moment**: Relationship escalates
|
||||||
|
- **Conflict**: Internal (fears/flaws) or external (circumstances)
|
||||||
|
- **Black moment**: Relationship seems doomed
|
||||||
|
- **Grand gesture**: One character proves their love
|
||||||
|
- **Resolution**: Together, happy
|
||||||
|
|
||||||
|
### Pacing Expectations
|
||||||
|
- **Slow burn vs fast burn**: Genre-dependent
|
||||||
|
- **Intimate scenes**: Frequency and explicitness vary by heat level
|
||||||
|
- **Emotional intensity**: Regular emotional beats, not constant
|
||||||
|
|
||||||
|
### Subgenre Variations
|
||||||
|
- **Contemporary**: Modern setting, realistic problems
|
||||||
|
- **Historical**: Period-accurate, societal constraints as conflict
|
||||||
|
- **Paranormal**: Supernatural elements, fated mates common
|
||||||
|
- **Romantic Suspense**: External danger plot + romance
|
||||||
|
- **Sweet/Inspirational**: Minimal physical intimacy, faith themes
|
||||||
|
|
||||||
|
### Heat Levels
|
||||||
|
- **Sweet**: Closed door (no sex on page)
|
||||||
|
- **Steamy**: Some intimate scenes
|
||||||
|
- **Erotic**: Explicit, frequent intimate scenes central to plot
|
||||||
|
|
||||||
|
### Common Tropes
|
||||||
|
- Enemies to lovers
|
||||||
|
- Friends to lovers
|
||||||
|
- Forced proximity
|
||||||
|
- Forbidden love
|
||||||
|
- Second chance romance
|
||||||
|
- Fake relationship
|
||||||
|
- Opposites attract
|
||||||
|
|
||||||
|
### Reader Expectations
|
||||||
|
- Both characters must be developed, not just protagonist
|
||||||
|
- Obstacles must be meaningful and believable
|
||||||
|
- Resolution must come from character growth, not external fixes
|
||||||
|
- No cheating (if in committed relationship)
|
||||||
|
- Consent is essential
|
||||||
|
|
||||||
|
---
|
||||||
|
|
||||||
|
## Science Fiction
|
||||||
|
|
||||||
|
### Core Requirements
|
||||||
|
- **Speculative element**: "What if?" about technology, society, or science
|
||||||
|
- **Consistent world rules**: Internal logic must hold
|
||||||
|
- **Ideas explored**: SF is about concepts, not just setting
|
||||||
|
- **Grounded in plausibility**: Even if far future, based on extrapolation
|
||||||
|
|
||||||
|
### Structure Patterns
|
||||||
|
- **World introduction**: Establish rules early
|
||||||
|
- **Idea exploration**: Implications of the speculative element
|
||||||
|
- **Personal stakes**: How it affects individuals
|
||||||
|
- **Thematic resolution**: Comment on contemporary issues through SF lens
|
||||||
|
|
||||||
|
### Pacing Expectations
|
||||||
|
- **Hard SF**: Slower, idea-heavy, technical detail
|
||||||
|
- **Space Opera**: Faster, adventure-focused, broader strokes
|
||||||
|
- **Character vs idea balance**: Varies by subgenre
|
||||||
|
|
||||||
|
### Subgenre Variations
|
||||||
|
- **Hard SF**: Rigorous science, technical accuracy, problem-solving
|
||||||
|
- **Space Opera**: Epic scope, adventure, often series
|
||||||
|
- **Cyberpunk**: Near future, technology-society critique, dystopian
|
||||||
|
- **Post-Apocalyptic**: After civilization collapse, survival
|
||||||
|
- **Time Travel**: Paradoxes, alternate timelines, consequences
|
||||||
|
|
||||||
|
### World-Building Depth
|
||||||
|
- **Technology**: How it works (level of detail varies)
|
||||||
|
- **Society**: How technology changed culture
|
||||||
|
- **Economics**: How people make living
|
||||||
|
- **Politics**: Power structures
|
||||||
|
- **Daily life**: What's different for ordinary people
|
||||||
|
|
||||||
|
### Common Themes
|
||||||
|
- Humanity's relationship with technology
|
||||||
|
- First contact and communication
|
||||||
|
- Identity and consciousness
|
||||||
|
- Power and control
|
||||||
|
- Progress vs tradition
|
||||||
|
- Individual vs collective
|
||||||
|
|
||||||
|
### Successful Subversions
|
||||||
|
- Low-tech SF (focus on social speculation)
|
||||||
|
- SF about ordinary people (not heroes)
|
||||||
|
- Optimistic futures (counter to dystopia trend)
|
||||||
|
|
||||||
|
---
|
||||||
|
|
||||||
|
## Fantasy
|
||||||
|
|
||||||
|
### Core Requirements
|
||||||
|
- **Magic/supernatural**: Core to plot, not decoration
|
||||||
|
- **World-building**: Consistent magical rules and world logic
|
||||||
|
- **High stakes**: Often save-the-world scope (though can be smaller)
|
||||||
|
- **Hero's journey**: Often follows quest structure
|
||||||
|
|
||||||
|
### Structure Patterns
|
||||||
|
- **World introduction**: Establish setting and magic system
|
||||||
|
- **Call to adventure**: Protagonist drawn into larger conflict
|
||||||
|
- **Training/gathering allies**: Power growth, team building
|
||||||
|
- **Escalating conflicts**: Battles, revelations
|
||||||
|
- **Final confrontation**: Use of full power/knowledge
|
||||||
|
|
||||||
|
### Pacing Expectations
|
||||||
|
- **Epic Fantasy**: Slower, detailed world-building, longer books
|
||||||
|
- **Urban Fantasy**: Faster, contemporary setting, shorter
|
||||||
|
- **First book**: More world-building, setup
|
||||||
|
- **Series**: Increasing pace as world is established
|
||||||
|
|
||||||
|
### Subgenre Variations
|
||||||
|
- **High/Epic Fantasy**: Secondary world, quest, chosen one
|
||||||
|
- **Urban Fantasy**: Contemporary world + magic, often first person
|
||||||
|
- **Grimdark**: Morally gray, brutal, cynical
|
||||||
|
- **Cozy Fantasy**: Low stakes, slice-of-life, hopeful
|
||||||
|
- **Sword & Sorcery**: Adventure-focused, episodic
|
||||||
|
|
||||||
|
### Magic System Types
|
||||||
|
- **Hard magic**: Clearly defined rules (Brandon Sanderson style)
|
||||||
|
- **Soft magic**: Mysterious, not fully explained (Tolkien style)
|
||||||
|
- **Cost-based**: Magic requires sacrifice/price
|
||||||
|
- **Source-based**: External power source needed
|
||||||
|
|
||||||
|
### World-Building Elements
|
||||||
|
- **Geography**: Maps, distances, climate
|
||||||
|
- **Cultures**: Different peoples, languages, customs
|
||||||
|
- **History**: Events that shaped the world
|
||||||
|
- **Magic**: How it works, who can use it, limits
|
||||||
|
- **Politics**: Power structures, conflicts
|
||||||
|
- **Economics**: How trade works
|
||||||
|
|
||||||
|
### Common Tropes
|
||||||
|
- The chosen one
|
||||||
|
- Coming of age
|
||||||
|
- Found family
|
||||||
|
- Ancient evil returns
|
||||||
|
- Magic academy
|
||||||
|
- Portal to another world
|
||||||
|
- Dragons
|
||||||
|
|
||||||
|
### Successful Subversions
|
||||||
|
- Deconstruct chosen one (The Magicians)
|
||||||
|
- Ordinary people, not heroes
|
||||||
|
- Magic as science/technology
|
||||||
|
- Small-scale, personal stakes
|
||||||
|
- Failed prophecies
|
||||||
|
|
||||||
|
---
|
||||||
|
|
||||||
|
## Literary Fiction
|
||||||
|
|
||||||
|
### Core Requirements
|
||||||
|
- **Character interiority**: Deep psychological exploration
|
||||||
|
- **Prose quality**: Language and style are paramount
|
||||||
|
- **Thematic depth**: Exploring meaningful questions about human experience
|
||||||
|
- **Ambiguity**: Complexity, not neat resolutions
|
||||||
|
|
||||||
|
### Structure Patterns
|
||||||
|
- **Often nonlinear**: Flashbacks, multiple timelines
|
||||||
|
- **Character arc over plot**: Internal change is the story
|
||||||
|
- **Slice of life**: May not have traditional dramatic structure
|
||||||
|
- **Quiet moments matter**: Small revelations, subtle shifts
|
||||||
|
|
||||||
|
### Pacing Expectations
|
||||||
|
- **Slower**: Time for reflection, description, interiority
|
||||||
|
- **Varies widely**: No strict rules
|
||||||
|
- **Reader patience**: Literary readers accept less action
|
||||||
|
|
||||||
|
### Focus Areas
|
||||||
|
- **Prose style**: Distinctive voice, carefully crafted sentences
|
||||||
|
- **Character psychology**: Why people do things, internal contradictions
|
||||||
|
- **Social commentary**: Class, race, gender, society
|
||||||
|
- **Philosophical questions**: Meaning, morality, existence
|
||||||
|
- **Emotional truth**: Authentic human experience
|
||||||
|
|
||||||
|
### Common Themes
|
||||||
|
- Identity and belonging
|
||||||
|
- Family dynamics
|
||||||
|
- Loss and grief
|
||||||
|
- Memory and time
|
||||||
|
- Love and relationship
|
||||||
|
- Coming of age
|
||||||
|
- Social injustice
|
||||||
|
- Alienation
|
||||||
|
|
||||||
|
### Literary Devices
|
||||||
|
- **Symbolism**: Objects/events with deeper meaning
|
||||||
|
- **Motifs**: Recurring elements
|
||||||
|
- **Unreliable narration**: Perspective shapes reality
|
||||||
|
- **Stream of consciousness**: Character's thoughts directly
|
||||||
|
- **Metafiction**: Awareness of being fiction
|
||||||
|
|
||||||
|
### Reader Expectations
|
||||||
|
- **No formula**: Literary fiction breaks rules
|
||||||
|
- **Ambiguous endings**: Not everything resolved
|
||||||
|
- **Challenging**: May be difficult or uncomfortable
|
||||||
|
- **Beautifully written**: Language matters as much as story
|
||||||
|
- **Character over plot**: Plot serves character development
|
||||||
|
|
||||||
|
---
|
||||||
|
|
||||||
|
## Horror
|
||||||
|
|
||||||
|
### Core Requirements
|
||||||
|
- **Fear response**: Must genuinely unsettle/scare reader
|
||||||
|
- **Threat**: Something dangerous (physical, psychological, supernatural)
|
||||||
|
- **Vulnerability**: Characters in real danger
|
||||||
|
- **Atmosphere**: Dread, tension, unease
|
||||||
|
|
||||||
|
### Structure Patterns
|
||||||
|
- **Normal world**: Establish baseline
|
||||||
|
- **Intrusion**: Horror element enters
|
||||||
|
- **Escalation**: Threat increases, characters in more danger
|
||||||
|
- **Revelation**: Nature of threat revealed (or not)
|
||||||
|
- **Confrontation**: Face the horror
|
||||||
|
- **Resolution**: Survival or defeat (often ambiguous)
|
||||||
|
|
||||||
|
### Pacing Techniques
|
||||||
|
- **Slow burn**: Build dread gradually
|
||||||
|
- **Shock moments**: Sudden scares punctuate tension
|
||||||
|
- **Withholding**: Don't show the monster immediately
|
||||||
|
- **Atmospheric**: Sustain unease between events
|
||||||
|
|
||||||
|
### Subgenre Variations
|
||||||
|
- **Gothic**: Atmospheric, psychological, romantic elements
|
||||||
|
- **Slasher**: Serial killer, body count, survival
|
||||||
|
- **Cosmic Horror**: Incomprehensible entities, existential dread
|
||||||
|
- **Psychological**: Mind-based horror, gaslighting, paranoia
|
||||||
|
- **Body Horror**: Physical transformation, disease, mutation
|
||||||
|
|
||||||
|
### Fear Techniques
|
||||||
|
- **The Unknown**: Suggestion scarier than explicit
|
||||||
|
- **Isolation**: Cut off from help
|
||||||
|
- **Powerlessness**: Can't fight or escape effectively
|
||||||
|
- **Violation**: Personal space, body, mind invaded
|
||||||
|
- **Inevitability**: Can't be stopped
|
||||||
|
- **Wrongness**: Something fundamentally not right
|
||||||
|
|
||||||
|
### Common Monsters/Threats
|
||||||
|
- Ghosts and spirits
|
||||||
|
- Vampires
|
||||||
|
- Zombies
|
||||||
|
- Serial killers
|
||||||
|
- Demons
|
||||||
|
- Cosmic entities
|
||||||
|
- Possessed objects
|
||||||
|
- Psychological breakdown
|
||||||
|
|
||||||
|
### Effective Horror Writing
|
||||||
|
- **Sensory details**: Make reader feel it
|
||||||
|
- **Build tension**: Delay gratification
|
||||||
|
- **Character vulnerability**: Make reader care
|
||||||
|
- **Atmosphere**: Every scene contributes to mood
|
||||||
|
- **Respect the reader**: Earn scares, don't rely on gross-out
|
||||||
|
|
||||||
|
---
|
||||||
|
|
||||||
|
## Historical Fiction
|
||||||
|
|
||||||
|
### Core Requirements
|
||||||
|
- **Historical accuracy**: Research-based details
|
||||||
|
- **Period authenticity**: Language, customs, technology
|
||||||
|
- **Historical events**: Real events as backdrop or plot
|
||||||
|
- **Immersion**: Transport reader to another time
|
||||||
|
|
||||||
|
### Structure Patterns
|
||||||
|
- Follows general fiction structure
|
||||||
|
- Historical events often provide external plot
|
||||||
|
- Character arc shows period-specific growth/constraints
|
||||||
|
|
||||||
|
### Research Requirements
|
||||||
|
- **Daily life**: What people ate, wore, did
|
||||||
|
- **Social structure**: Class, gender, race dynamics
|
||||||
|
- **Technology**: What existed, what didn't
|
||||||
|
- **Language**: Avoiding anachronisms
|
||||||
|
- **Historical events**: Accurate timeline and facts
|
||||||
|
- **Geography**: Period-accurate locations
|
||||||
|
|
||||||
|
### Subgenre Variations
|
||||||
|
- **Historical Romance**: Love story in historical setting
|
||||||
|
- **Historical Mystery**: Detective in past era
|
||||||
|
- **Historical Fantasy**: Real history + magic
|
||||||
|
- **Biographical**: Fictionalized real person's life
|
||||||
|
- **Alternate History**: "What if?" historical changes
|
||||||
|
|
||||||
|
### Balancing Acts
|
||||||
|
- **Accuracy vs Readability**: Pure period dialogue can be dense
|
||||||
|
- **Info-dump vs Context**: Provide history without lectures
|
||||||
|
- **Modern sensibilities**: Acknowledge period attitudes without endorsing
|
||||||
|
- **Detail level**: Enough to immerse, not overwhelm
|
||||||
|
|
||||||
|
### Common Mistakes
|
||||||
|
- Anachronistic language ("OK" in 1800s)
|
||||||
|
- Modern attitudes in historical characters
|
||||||
|
- Over-researched showing off (everything you know on page)
|
||||||
|
- Ignoring uncomfortable historical realities
|
||||||
|
- Generic "ye olde" feel instead of specific period
|
||||||
|
|
||||||
|
---
|
||||||
|
|
||||||
|
## Cross-Genre Expectations
|
||||||
|
|
||||||
|
### Combining Genres
|
||||||
|
Many books blend genres (romantic suspense, sci-fi mystery, etc.). Must satisfy expectations of BOTH:
|
||||||
|
- **Romance + Mystery**: Relationship arc + solve the crime
|
||||||
|
- **Fantasy + Romance**: Magic world + love story
|
||||||
|
- **Horror + Thriller**: Supernatural threat + fast pacing
|
||||||
|
|
||||||
|
### Universal Expectations
|
||||||
|
Regardless of genre:
|
||||||
|
- **Compelling characters**: Readers must care
|
||||||
|
- **Coherent plot**: Cause and effect, not random events
|
||||||
|
- **Emotional engagement**: Make reader feel something
|
||||||
|
- **Satisfying resolution**: Not necessarily happy, but complete
|
||||||
|
- **Professional craft**: Grammar, pacing, structure
|
||||||
|
|
||||||
|
---
|
||||||
|
|
||||||
|
*Use this guide to understand what readers expect - then decide which conventions to meet and which to subvert.*
|
||||||
|
|
@ -0,0 +1,296 @@
|
||||||
|
# Narrative Techniques Reference
|
||||||
|
|
||||||
|
A comprehensive guide to core storytelling techniques used across all genres.
|
||||||
|
|
||||||
|
## Show vs Tell
|
||||||
|
|
||||||
|
### Definition
|
||||||
|
**Show**: Present events through action, dialogue, and sensory details - let readers experience and conclude
|
||||||
|
**Tell**: Directly state information, emotions, or facts - inform readers explicitly
|
||||||
|
|
||||||
|
### When to Show
|
||||||
|
- Emotional moments (character feelings, relationship dynamics)
|
||||||
|
- Key plot events (discoveries, confrontations, decisions)
|
||||||
|
- Character revealing actions
|
||||||
|
- Sensory experiences that create atmosphere
|
||||||
|
- Relationship dynamics
|
||||||
|
|
||||||
|
### When to Tell
|
||||||
|
- Transitions between scenes
|
||||||
|
- Time passage
|
||||||
|
- Backstory or exposition that doesn't warrant full scene
|
||||||
|
- Minor details needed for clarity
|
||||||
|
- Summarizing less important events
|
||||||
|
|
||||||
|
### Technique: Show Through...
|
||||||
|
1. **Action**: "She slammed the door" not "She was angry"
|
||||||
|
2. **Dialogue**: Character says something revealing
|
||||||
|
3. **Body language**: "His hands trembled" not "He was nervous"
|
||||||
|
4. **Sensory details**: What character sees/hears/smells/touches/tastes
|
||||||
|
5. **Internal reaction**: Thoughts/feelings in character's voice
|
||||||
|
|
||||||
|
### Example
|
||||||
|
**Telling**: Sarah was nervous about the interview.
|
||||||
|
**Showing**: Sarah's heel tapped against the tile. She smoothed her skirt for the third time, rehearsing answers she'd already memorized.
|
||||||
|
|
||||||
|
---
|
||||||
|
|
||||||
|
## POV (Point of View)
|
||||||
|
|
||||||
|
### First Person
|
||||||
|
**Structure**: I/me/my/we
|
||||||
|
**Strengths**: Intimacy, voice, immediacy
|
||||||
|
**Challenges**: Limited knowledge, single perspective
|
||||||
|
**Best for**: Character-driven stories, unreliable narrators, YA
|
||||||
|
|
||||||
|
**Example**: "I couldn't believe what I was seeing. My hands went numb."
|
||||||
|
|
||||||
|
### Third Person Limited
|
||||||
|
**Structure**: He/she/they (one character's perspective at a time)
|
||||||
|
**Strengths**: Intimacy + flexibility, can switch POV between chapters
|
||||||
|
**Challenges**: Still limited to one consciousness at a time
|
||||||
|
**Best for**: Most commercial fiction, multiple POV novels
|
||||||
|
|
||||||
|
**Example**: "Sarah couldn't believe what she was seeing. Her hands went numb."
|
||||||
|
|
||||||
|
### Third Person Omniscient
|
||||||
|
**Structure**: He/she/they (narrator knows all, can enter any mind)
|
||||||
|
**Strengths**: Flexibility, irony, big-picture view
|
||||||
|
**Challenges**: Harder to create intimacy, old-fashioned feel
|
||||||
|
**Best for**: Epic scope stories, ensemble casts, literary fiction
|
||||||
|
|
||||||
|
**Example**: "Sarah couldn't believe what she was seeing, though Tom, watching from across the street, had expected this all along."
|
||||||
|
|
||||||
|
### Deep POV
|
||||||
|
A subset of third limited that stays very close to character consciousness:
|
||||||
|
- No filter words ("she saw," "he heard," "she felt")
|
||||||
|
- Character's vocabulary and sentence structure
|
||||||
|
- Immediate sensory experience
|
||||||
|
- Thoughts integrated seamlessly
|
||||||
|
|
||||||
|
**Example**:
|
||||||
|
- Filter version: "She felt the cold wind on her face"
|
||||||
|
- Deep POV: "The wind bit her cheeks"
|
||||||
|
|
||||||
|
---
|
||||||
|
|
||||||
|
## Dialogue Techniques
|
||||||
|
|
||||||
|
### Subtext
|
||||||
|
Characters say one thing, mean another. The real conversation happens beneath the words.
|
||||||
|
|
||||||
|
**Example**:
|
||||||
|
"Nice dress," he said.
|
||||||
|
"My mother picked it out."
|
||||||
|
"She has good taste."
|
||||||
|
"She thinks so."
|
||||||
|
|
||||||
|
*Subtext: He's commenting on her lack of independence; she's defensive but won't confront directly.*
|
||||||
|
|
||||||
|
### Character Voice Differentiation
|
||||||
|
Each character should sound unique through:
|
||||||
|
- Vocabulary (formal/casual, simple/complex)
|
||||||
|
- Sentence structure (fragments vs complete sentences)
|
||||||
|
- Verbal tics or phrases
|
||||||
|
- Topics they raise
|
||||||
|
- What they avoid saying
|
||||||
|
|
||||||
|
### Attribution Balance
|
||||||
|
- **"Said" is invisible**: Don't avoid it
|
||||||
|
- **Action beats**: "He turned away. 'I can't do this.'"
|
||||||
|
- **No tag when obvious**: In two-person dialogue, alternate
|
||||||
|
- **Avoid fancy tags**: whispered/muttered/exclaimed used sparingly
|
||||||
|
|
||||||
|
### Exposition in Dialogue
|
||||||
|
**Bad**: "As you know, Bob, we've been friends for ten years since we met in college..."
|
||||||
|
**Good**: Make it natural, relevant, something they'd actually say
|
||||||
|
|
||||||
|
---
|
||||||
|
|
||||||
|
## Scene Structure
|
||||||
|
|
||||||
|
### Scene vs Sequel
|
||||||
|
**Scene** (action/external):
|
||||||
|
- Goal: Character wants something specific
|
||||||
|
- Conflict: Obstacles prevent easy achievement
|
||||||
|
- Disaster: Things go wrong, worse than before
|
||||||
|
|
||||||
|
**Sequel** (reaction/internal):
|
||||||
|
- Reaction: Emotional response to disaster
|
||||||
|
- Dilemma: What are the options now?
|
||||||
|
- Decision: Choice that launches next scene
|
||||||
|
|
||||||
|
Alternate scene-sequel for pacing rhythm.
|
||||||
|
|
||||||
|
### Scene Purpose
|
||||||
|
Every scene must:
|
||||||
|
1. Advance plot OR
|
||||||
|
2. Develop character OR
|
||||||
|
3. Both (ideal)
|
||||||
|
|
||||||
|
If it does neither, cut it.
|
||||||
|
|
||||||
|
### Opening Hook
|
||||||
|
Start scenes:
|
||||||
|
- In medias res (in the middle of action)
|
||||||
|
- With immediate conflict or question
|
||||||
|
- With character decision/realization
|
||||||
|
- With sensory detail that creates atmosphere
|
||||||
|
|
||||||
|
Avoid: Weather, waking up, looking in mirror
|
||||||
|
|
||||||
|
### Ending Hook
|
||||||
|
End scenes/chapters with:
|
||||||
|
- Cliffhanger (immediate danger)
|
||||||
|
- Revelation (new information)
|
||||||
|
- Decision (character commits to action)
|
||||||
|
- Question (reader wants answer)
|
||||||
|
- Emotional shift
|
||||||
|
|
||||||
|
---
|
||||||
|
|
||||||
|
## Foreshadowing
|
||||||
|
|
||||||
|
### Types
|
||||||
|
1. **Concrete**: Specific object/event mentioned early, pays off later (Chekhov's gun)
|
||||||
|
2. **Thematic**: Early events echo later patterns
|
||||||
|
3. **Dialogue**: Character says something that becomes ironic later
|
||||||
|
4. **Atmospheric**: Mood/weather hints at what's coming
|
||||||
|
5. **Symbolic**: Images/metaphors that gain meaning
|
||||||
|
|
||||||
|
### Rules
|
||||||
|
- Must be subtle enough readers don't predict everything
|
||||||
|
- Must be clear enough readers go "Oh!" when they connect dots
|
||||||
|
- Plant early, payoff later (not immediately)
|
||||||
|
- Not every planted detail must payoff (red herrings)
|
||||||
|
|
||||||
|
### Example
|
||||||
|
Early: "She'd always been afraid of confined spaces. Something about the walls closing in."
|
||||||
|
Later: Trapped in a literal confined space, but the walls closing in are also her life circumstances.
|
||||||
|
|
||||||
|
---
|
||||||
|
|
||||||
|
## Character Arc
|
||||||
|
|
||||||
|
### Want vs Need
|
||||||
|
- **Want**: External, conscious goal (solve the mystery, get the job, win the race)
|
||||||
|
- **Need**: Internal, what they must learn/become to be fulfilled (trust others, find self-worth, let go of past)
|
||||||
|
|
||||||
|
Arc = Journey from pursuing want → realizing need → fulfilling need (which may or may not give them the want)
|
||||||
|
|
||||||
|
### Arc Types
|
||||||
|
1. **Positive/Growth**: Character changes, overcomes flaw, gets need
|
||||||
|
2. **Negative/Fall**: Character refuses to change, succumbs to flaw
|
||||||
|
3. **Flat**: Character doesn't change, but changes the world around them
|
||||||
|
|
||||||
|
### Flaw/Misbelief
|
||||||
|
Character believes something false that holds them back:
|
||||||
|
- "I can only rely on myself" → must learn to trust
|
||||||
|
- "I'm not worthy of love" → must learn self-acceptance
|
||||||
|
- "The end justifies the means" → must learn morality matters
|
||||||
|
|
||||||
|
Arc shows them confronting and overcoming this misbelief.
|
||||||
|
|
||||||
|
---
|
||||||
|
|
||||||
|
## Pacing
|
||||||
|
|
||||||
|
### Techniques for Faster Pacing
|
||||||
|
- Shorter sentences and paragraphs
|
||||||
|
- More dialogue, less description
|
||||||
|
- Action scenes (conflict, movement)
|
||||||
|
- Higher stakes, ticking clocks
|
||||||
|
- Revelations and twists
|
||||||
|
- Chapter breaks at tense moments
|
||||||
|
|
||||||
|
### Techniques for Slower Pacing
|
||||||
|
- Longer, complex sentences
|
||||||
|
- Description and atmosphere
|
||||||
|
- Internal reflection
|
||||||
|
- Backstory integration
|
||||||
|
- Sequel scenes (emotional processing)
|
||||||
|
- World-building
|
||||||
|
|
||||||
|
### Balance
|
||||||
|
Vary pacing:
|
||||||
|
- Fast scenes followed by slow (like interval training)
|
||||||
|
- Gradual escalation (increasing tension toward climax)
|
||||||
|
- Genre expectations (thriller = mostly fast, literary = more slow)
|
||||||
|
|
||||||
|
---
|
||||||
|
|
||||||
|
## Sensory Details
|
||||||
|
|
||||||
|
### The Five Senses
|
||||||
|
Most writers overuse sight. Add:
|
||||||
|
- **Sound**: What does character hear?
|
||||||
|
- **Smell**: Most evocative, ties to memory
|
||||||
|
- **Touch**: Temperature, texture, physical sensation
|
||||||
|
- **Taste**: Often neglected, powerful for food/kissing/disgust scenes
|
||||||
|
|
||||||
|
### Rules
|
||||||
|
- Choose specific over generic ("diesel fumes" not "bad smell")
|
||||||
|
- Use what matters to POV character
|
||||||
|
- Create atmosphere and emotion
|
||||||
|
- Don't catalogue all five senses - select meaningfully
|
||||||
|
|
||||||
|
### Example
|
||||||
|
**Generic**: "The room was nice."
|
||||||
|
**Specific**: "Sunlight warmed the hardwood floor. The scent of lemon polish lingered, sharp and clean."
|
||||||
|
|
||||||
|
---
|
||||||
|
|
||||||
|
## Tension Techniques
|
||||||
|
|
||||||
|
### Create Tension Through:
|
||||||
|
1. **Withholding information**: Reader knows character doesn't
|
||||||
|
2. **Stakes**: What character stands to lose
|
||||||
|
3. **Time pressure**: Deadlines, ticking clocks
|
||||||
|
4. **Conflicting goals**: Characters at cross-purposes
|
||||||
|
5. **Unresolved questions**: Mysteries, unanswered questions
|
||||||
|
6. **Character in jeopardy**: Physical, emotional, social
|
||||||
|
7. **Difficult choices**: Dilemmas with no good option
|
||||||
|
|
||||||
|
### Sustaining Tension
|
||||||
|
- Answer one question, raise another
|
||||||
|
- Small victories lead to bigger problems
|
||||||
|
- Escalate stakes progressively
|
||||||
|
- Give character brief respite before next challenge
|
||||||
|
- Keep outcome genuinely uncertain
|
||||||
|
|
||||||
|
---
|
||||||
|
|
||||||
|
## Revision Principles
|
||||||
|
|
||||||
|
### First Draft
|
||||||
|
- Permission to be imperfect
|
||||||
|
- Get the story down
|
||||||
|
- Discovery writing allowed
|
||||||
|
- Momentum over quality
|
||||||
|
|
||||||
|
### Second Draft (Developmental)
|
||||||
|
- Fix plot holes and pacing issues
|
||||||
|
- Strengthen character arcs
|
||||||
|
- Cut scenes that don't serve story
|
||||||
|
- Reorganize if needed
|
||||||
|
- Ensure thematic coherence
|
||||||
|
|
||||||
|
### Third Draft (Line Level)
|
||||||
|
- Sharpen prose
|
||||||
|
- Vary sentence structure
|
||||||
|
- Cut redundancy
|
||||||
|
- Strengthen voice
|
||||||
|
- Show more, tell less
|
||||||
|
|
||||||
|
### Final Draft (Copy Edit)
|
||||||
|
- Grammar and punctuation
|
||||||
|
- Consistency (names, details, timeline)
|
||||||
|
- Typos
|
||||||
|
- Formatting
|
||||||
|
|
||||||
|
### Kill Your Darlings
|
||||||
|
If it doesn't serve the story, cut it - even if you love the writing.
|
||||||
|
|
||||||
|
---
|
||||||
|
|
||||||
|
*This is a living document. As you analyze texts and extract techniques, this knowledge base grows.*
|
||||||
|
|
@ -0,0 +1,7 @@
|
||||||
|
module:
|
||||||
|
code: "nws"
|
||||||
|
name: "Novel Writing Suite"
|
||||||
|
description: "AI-powered novel writing framework with text analysis, structured planning, and iterative drafting workflows"
|
||||||
|
version: "1.0.0"
|
||||||
|
default_selected: false
|
||||||
|
config_variables: []
|
||||||
|
|
@ -0,0 +1,233 @@
|
||||||
|
# Analyze Text Workflow
|
||||||
|
|
||||||
|
## Purpose
|
||||||
|
Perform deep literary analysis on uploaded texts to extract techniques, patterns, and insights that can be applied to your own writing.
|
||||||
|
|
||||||
|
## When to Use
|
||||||
|
- Studying a published novel you admire
|
||||||
|
- Analyzing a bestseller in your genre
|
||||||
|
- Learning from a particular author's style
|
||||||
|
- Understanding why a book works (or doesn't)
|
||||||
|
- Building your technique library
|
||||||
|
- Comparing your draft to published work
|
||||||
|
|
||||||
|
## Prerequisites
|
||||||
|
- Text file to analyze (.txt, .md, .docx, or .pdf)
|
||||||
|
- At least 1,000 words (ideally a full chapter or more)
|
||||||
|
|
||||||
|
## Workflow Steps
|
||||||
|
|
||||||
|
### Step 1: Upload Text
|
||||||
|
You'll be prompted to upload the text file you want analyzed.
|
||||||
|
|
||||||
|
**Supported formats:**
|
||||||
|
- Plain text (.txt)
|
||||||
|
- Markdown (.md)
|
||||||
|
- Word documents (.docx)
|
||||||
|
- PDF (text-based, not scanned images)
|
||||||
|
|
||||||
|
**Optimal length:**
|
||||||
|
- Single chapter: 2,000-5,000 words
|
||||||
|
- Multiple chapters: 10,000-25,000 words
|
||||||
|
- Full novel: Any length (analysis will focus on key sections)
|
||||||
|
|
||||||
|
### Step 2: Select Analysis Type
|
||||||
|
Choose the depth and focus of analysis:
|
||||||
|
|
||||||
|
#### Full Analysis (15-20 minutes)
|
||||||
|
Complete analysis across all dimensions:
|
||||||
|
- Structural breakdown
|
||||||
|
- Character analysis
|
||||||
|
- Prose metrics
|
||||||
|
- Technique extraction
|
||||||
|
- Genre comparison
|
||||||
|
|
||||||
|
**Best for:** Learning comprehensively from a text
|
||||||
|
|
||||||
|
#### Structural Only (8-10 minutes)
|
||||||
|
Focus on:
|
||||||
|
- Plot points and act structure
|
||||||
|
- Pacing analysis
|
||||||
|
- Chapter organization
|
||||||
|
- Scene sequencing
|
||||||
|
|
||||||
|
**Best for:** Understanding story architecture
|
||||||
|
|
||||||
|
#### Character Focus (8-10 minutes)
|
||||||
|
Focus on:
|
||||||
|
- Character arcs
|
||||||
|
- Characterization techniques
|
||||||
|
- Dialogue and voice
|
||||||
|
- Relationship dynamics
|
||||||
|
|
||||||
|
**Best for:** Learning character development
|
||||||
|
|
||||||
|
#### Prose Analysis (8-10 minutes)
|
||||||
|
Focus on:
|
||||||
|
- Sentence structure and variety
|
||||||
|
- Word choice patterns
|
||||||
|
- Figurative language
|
||||||
|
- Rhythm and flow
|
||||||
|
- Show vs tell balance
|
||||||
|
|
||||||
|
**Best for:** Improving prose craft
|
||||||
|
|
||||||
|
#### Quick Overview (5 minutes)
|
||||||
|
High-level assessment:
|
||||||
|
- Genre identification
|
||||||
|
- Major strengths
|
||||||
|
- Key techniques worth studying
|
||||||
|
- Overall impressions
|
||||||
|
|
||||||
|
**Best for:** Deciding if you want full analysis later
|
||||||
|
|
||||||
|
### Step 3: Perform Analysis
|
||||||
|
The Librarian will analyze the text according to your chosen type, following the systematic protocol in the instructions document.
|
||||||
|
|
||||||
|
**What happens:**
|
||||||
|
- Text is read and annotated
|
||||||
|
- Patterns are identified
|
||||||
|
- Examples are quoted
|
||||||
|
- Metrics are calculated
|
||||||
|
- Comparisons are made to genre conventions
|
||||||
|
|
||||||
|
### Step 4: Extract Techniques
|
||||||
|
Specific techniques are identified and documented:
|
||||||
|
- What the technique is
|
||||||
|
- How it's used in this text
|
||||||
|
- Why it works
|
||||||
|
- When to use it
|
||||||
|
- How to apply it to your work
|
||||||
|
|
||||||
|
### Step 5: Generate Recommendations
|
||||||
|
You'll receive:
|
||||||
|
- **Top learnings**: 3-5 key takeaways
|
||||||
|
- **Application suggestions**: How to use these in your novel
|
||||||
|
- **Practice exercises**: Ways to develop these skills
|
||||||
|
- **Further study**: Related techniques to explore
|
||||||
|
|
||||||
|
### Step 6: Save Results
|
||||||
|
The complete analysis is saved to:
|
||||||
|
`_bmad/_memory/librarian-sidecar/knowledge/analyzed-texts/{title}-analysis.md`
|
||||||
|
|
||||||
|
Extracted techniques are also cataloged in the technique patterns library for future reference.
|
||||||
|
|
||||||
|
### Step 7: Next Steps
|
||||||
|
You'll be offered options:
|
||||||
|
1. **Apply to your novel**: Use these techniques in your current project
|
||||||
|
2. **Compare texts**: Analyze another text and compare approaches
|
||||||
|
3. **Generate exercises**: Practice the techniques you learned
|
||||||
|
4. **Deep dive**: Explore a specific technique in more detail
|
||||||
|
5. **Archive**: Simply save for future reference
|
||||||
|
|
||||||
|
## Output Examples
|
||||||
|
|
||||||
|
### Structural Analysis Output
|
||||||
|
```
|
||||||
|
## Plot Structure Analysis
|
||||||
|
|
||||||
|
**Inciting Incident** (12%, p. 23)
|
||||||
|
Protagonist discovers the letter that changes everything.
|
||||||
|
*Technique*: Delayed inciting incident allows character establishment first.
|
||||||
|
|
||||||
|
**First Plot Point** (27%, p. 51)
|
||||||
|
Decision to investigate despite warnings.
|
||||||
|
*Technique*: Active choice by protagonist (agency, not passive reaction).
|
||||||
|
|
||||||
|
**Midpoint** (48%, p. 97)
|
||||||
|
False victory - thinks mystery is solved, but discovers deeper conspiracy.
|
||||||
|
*Technique*: Midpoint reversal that raises stakes and changes direction.
|
||||||
|
|
||||||
|
**All Is Lost** (76%, p. 152)
|
||||||
|
Ally betrayal + evidence destroyed + deadline missed.
|
||||||
|
*Technique*: Triple-layered disaster for maximum impact.
|
||||||
|
|
||||||
|
**Climax** (91%, p. 182)
|
||||||
|
Confrontation where truth revealed through character strength, not luck.
|
||||||
|
*Technique*: Resolution emerging from character arc (internal + external climax).
|
||||||
|
```
|
||||||
|
|
||||||
|
### Character Analysis Output
|
||||||
|
```
|
||||||
|
## Protagonist: Sarah Chen
|
||||||
|
|
||||||
|
**Want**: Solve the murder to restore her reputation
|
||||||
|
**Need**: Learn to trust others and accept help
|
||||||
|
**Flaw**: Hyper-independence stemming from childhood abandonment
|
||||||
|
**Arc**: Closed/growth arc (changes by accepting partnership)
|
||||||
|
|
||||||
|
**Characterization Techniques:**
|
||||||
|
1. *Action before description*: First appearance shows her solving a puzzle, establishing competence before physical details
|
||||||
|
2. *Contradictions*: Brilliant detective + messy personal life = dimensional character
|
||||||
|
3. *Dialogue voice*: Clipped sentences, technical jargon, humor as deflection
|
||||||
|
4. *Internal conflict*: Constant tension between wanting to go alone vs needing help
|
||||||
|
|
||||||
|
**Application**: Notice how author establishes competence first, flaws second - creates respect before sympathy.
|
||||||
|
```
|
||||||
|
|
||||||
|
### Prose Analysis Output
|
||||||
|
```
|
||||||
|
## Sentence Metrics
|
||||||
|
- Average sentence length: 14.2 words
|
||||||
|
- Range: 3-38 words
|
||||||
|
- Variety: High (simple, compound, complex well-balanced)
|
||||||
|
|
||||||
|
## Dialogue Ratio
|
||||||
|
- 42% dialogue, 58% narrative
|
||||||
|
- Attribution: 70% action beats, 30% "said" tags
|
||||||
|
- Subtext frequency: High (characters rarely say what they mean directly)
|
||||||
|
|
||||||
|
## Show vs Tell
|
||||||
|
- Estimated 75% showing, 25% telling
|
||||||
|
- Telling used for: transitions, backstory, time passage
|
||||||
|
- Showing used for: character emotion, relationship dynamics, key reveals
|
||||||
|
|
||||||
|
## Application Insights
|
||||||
|
1. Sentence variety creates rhythm (short for impact, long for complexity)
|
||||||
|
2. Heavy action-beat attribution keeps scenes visual and kinetic
|
||||||
|
3. Telling isn't bad - it's used strategically for efficiency
|
||||||
|
```
|
||||||
|
|
||||||
|
## Tips for Better Results
|
||||||
|
|
||||||
|
### Before Upload
|
||||||
|
- **Choose the right sample**: Full chapters work better than fragments
|
||||||
|
- **Quality matters**: Published, edited work gives clearer technique signals
|
||||||
|
- **Know your goal**: What specifically do you want to learn?
|
||||||
|
|
||||||
|
### During Analysis
|
||||||
|
- **Be patient**: Quality analysis takes time
|
||||||
|
- **Ask questions**: If something is unclear, request elaboration
|
||||||
|
- **Request examples**: Ask for specific quotes demonstrating techniques
|
||||||
|
|
||||||
|
### After Analysis
|
||||||
|
- **Apply immediately**: Try one technique in your current chapter
|
||||||
|
- **Build incrementally**: Master one technique before adding another
|
||||||
|
- **Revisit**: Analysis reports deepen with multiple readings
|
||||||
|
|
||||||
|
## Common Questions
|
||||||
|
|
||||||
|
**Q: Can I analyze my own work?**
|
||||||
|
A: Yes! The Editor agent is better for critique, but Librarian can analyze your techniques objectively.
|
||||||
|
|
||||||
|
**Q: How many texts should I analyze?**
|
||||||
|
A: Quality over quantity. Deep analysis of 5-10 texts in your genre > superficial analysis of 50.
|
||||||
|
|
||||||
|
**Q: Can I compare two different books?**
|
||||||
|
A: Yes! Use the "Compare texts" menu option for side-by-side analysis.
|
||||||
|
|
||||||
|
**Q: What if the text is in another language?**
|
||||||
|
A: Currently English only. Translation quality would affect analysis accuracy.
|
||||||
|
|
||||||
|
**Q: Can I analyze short stories or novellas?**
|
||||||
|
A: Absolutely. Shorter works can reveal technique more clearly.
|
||||||
|
|
||||||
|
## Related Workflows
|
||||||
|
- **Compare Texts**: Side-by-side analysis of two texts
|
||||||
|
- **Extract Techniques**: Deep dive on a specific technique
|
||||||
|
- **Genre Analysis**: Build your genre convention database
|
||||||
|
- **Apply to Novel**: Use analyzed techniques in your work
|
||||||
|
|
||||||
|
---
|
||||||
|
|
||||||
|
*Remember: Analysis is not about copying - it's about understanding craft principles you can apply in your own voice.*
|
||||||
|
|
@ -0,0 +1,47 @@
|
||||||
|
workflow:
|
||||||
|
id: "analyze-text"
|
||||||
|
name: "Analyze Text"
|
||||||
|
description: "Deep analysis of uploaded novel or manuscript to extract techniques and insights"
|
||||||
|
agent: "librarian"
|
||||||
|
module: "nws"
|
||||||
|
version: "1.0.0"
|
||||||
|
|
||||||
|
inputs:
|
||||||
|
- id: "text_file"
|
||||||
|
type: "file"
|
||||||
|
description: "The text to analyze (.txt, .md, .docx)"
|
||||||
|
required: true
|
||||||
|
|
||||||
|
- id: "analysis_type"
|
||||||
|
type: "choice"
|
||||||
|
description: "Type of analysis to perform"
|
||||||
|
required: true
|
||||||
|
options:
|
||||||
|
- "full"
|
||||||
|
- "structural"
|
||||||
|
- "character"
|
||||||
|
- "prose"
|
||||||
|
- "quick"
|
||||||
|
|
||||||
|
outputs:
|
||||||
|
- id: "analysis_report"
|
||||||
|
type: "file"
|
||||||
|
path: "_bmad/_memory/librarian-sidecar/knowledge/analyzed-texts/{filename}-analysis.md"
|
||||||
|
description: "Complete analysis report"
|
||||||
|
|
||||||
|
- id: "extracted_techniques"
|
||||||
|
type: "data"
|
||||||
|
description: "List of techniques identified"
|
||||||
|
|
||||||
|
- id: "recommendations"
|
||||||
|
type: "data"
|
||||||
|
description: "How to apply these insights"
|
||||||
|
|
||||||
|
steps:
|
||||||
|
- upload
|
||||||
|
- select_analysis_type
|
||||||
|
- perform_analysis
|
||||||
|
- extract_techniques
|
||||||
|
- generate_recommendations
|
||||||
|
- save_results
|
||||||
|
- offer_next_steps
|
||||||
|
|
@ -0,0 +1,29 @@
|
||||||
|
workflow:
|
||||||
|
id: "create-character-profiles"
|
||||||
|
name: "Create Character Profiles"
|
||||||
|
description: "Develop detailed character sheets with arcs, motivations, relationships, and voice"
|
||||||
|
agent: "atlas"
|
||||||
|
module: "nws"
|
||||||
|
version: "1.0.0"
|
||||||
|
|
||||||
|
inputs:
|
||||||
|
- id: "story_brief"
|
||||||
|
type: "file"
|
||||||
|
path: "docs/story-brief.md"
|
||||||
|
required: true
|
||||||
|
|
||||||
|
outputs:
|
||||||
|
- id: "character_profiles"
|
||||||
|
type: "file"
|
||||||
|
path: "docs/character-profiles.md"
|
||||||
|
description: "Detailed character profiles for all major characters"
|
||||||
|
|
||||||
|
steps:
|
||||||
|
- identify_main_characters
|
||||||
|
- develop_protagonist
|
||||||
|
- develop_antagonist
|
||||||
|
- develop_supporting_cast
|
||||||
|
- map_relationships
|
||||||
|
- define_character_arcs
|
||||||
|
- establish_voices
|
||||||
|
- create_document
|
||||||
|
|
@ -0,0 +1,22 @@
|
||||||
|
workflow:
|
||||||
|
id: "create-story-brief"
|
||||||
|
name: "Create Story Brief"
|
||||||
|
description: "Develop the foundational document defining your story's premise, conflict, themes, and goals"
|
||||||
|
agent: "sage"
|
||||||
|
module: "nws"
|
||||||
|
version: "1.0.0"
|
||||||
|
|
||||||
|
outputs:
|
||||||
|
- id: "story_brief"
|
||||||
|
type: "file"
|
||||||
|
path: "docs/story-brief.md"
|
||||||
|
description: "Complete story brief document"
|
||||||
|
|
||||||
|
steps:
|
||||||
|
- brainstorm_premise
|
||||||
|
- identify_central_conflict
|
||||||
|
- define_themes
|
||||||
|
- set_goals_and_non_goals
|
||||||
|
- risk_analysis
|
||||||
|
- define_audience
|
||||||
|
- create_document
|
||||||
|
|
@ -0,0 +1,32 @@
|
||||||
|
workflow:
|
||||||
|
id: "design-plot-structure"
|
||||||
|
name: "Design Plot Structure"
|
||||||
|
description: "Map your story to a proven framework and create act-by-act outline"
|
||||||
|
agent: "atlas"
|
||||||
|
module: "nws"
|
||||||
|
version: "1.0.0"
|
||||||
|
|
||||||
|
inputs:
|
||||||
|
- id: "story_brief"
|
||||||
|
type: "file"
|
||||||
|
path: "docs/story-brief.md"
|
||||||
|
required: true
|
||||||
|
- id: "character_profiles"
|
||||||
|
type: "file"
|
||||||
|
path: "docs/character-profiles.md"
|
||||||
|
required: true
|
||||||
|
|
||||||
|
outputs:
|
||||||
|
- id: "plot_outline"
|
||||||
|
type: "file"
|
||||||
|
path: "docs/plot-outline.md"
|
||||||
|
description: "Complete plot structure with beats and turning points"
|
||||||
|
|
||||||
|
steps:
|
||||||
|
- choose_framework
|
||||||
|
- identify_key_beats
|
||||||
|
- map_acts
|
||||||
|
- plan_subplots
|
||||||
|
- create_scene_list
|
||||||
|
- plan_pacing
|
||||||
|
- create_document
|
||||||
|
|
@ -0,0 +1,41 @@
|
||||||
|
workflow:
|
||||||
|
id: "write-chapter"
|
||||||
|
name: "Write Chapter"
|
||||||
|
description: "Draft a chapter following your architecture, character profiles, and narrative voice"
|
||||||
|
agent: "scribe"
|
||||||
|
module: "nws"
|
||||||
|
version: "1.0.0"
|
||||||
|
|
||||||
|
inputs:
|
||||||
|
- id: "plot_outline"
|
||||||
|
type: "file"
|
||||||
|
path: "docs/plot-outline.md"
|
||||||
|
required: true
|
||||||
|
- id: "character_profiles"
|
||||||
|
type: "file"
|
||||||
|
path: "docs/character-profiles.md"
|
||||||
|
required: true
|
||||||
|
- id: "narrative_architecture"
|
||||||
|
type: "file"
|
||||||
|
path: "docs/narrative-architecture.md"
|
||||||
|
required: false
|
||||||
|
- id: "chapter_number"
|
||||||
|
type: "number"
|
||||||
|
description: "Which chapter to write"
|
||||||
|
required: true
|
||||||
|
|
||||||
|
outputs:
|
||||||
|
- id: "chapter_draft"
|
||||||
|
type: "file"
|
||||||
|
path: "chapters/chapter-{number}.md"
|
||||||
|
description: "Completed chapter draft"
|
||||||
|
|
||||||
|
steps:
|
||||||
|
- review_outline_for_chapter
|
||||||
|
- identify_pov_character
|
||||||
|
- define_scene_goals
|
||||||
|
- draft_opening
|
||||||
|
- draft_body
|
||||||
|
- draft_closing
|
||||||
|
- continuity_check
|
||||||
|
- save_chapter
|
||||||
|
|
@ -42,6 +42,16 @@ modules:
|
||||||
type: bmad-org
|
type: bmad-org
|
||||||
npmPackage: bmad-method-test-architecture-enterprise
|
npmPackage: bmad-method-test-architecture-enterprise
|
||||||
|
|
||||||
|
bmad-novel-writing-suite:
|
||||||
|
url: https://github.com/bmad-code-org/bmad-novel-writing-suite
|
||||||
|
module-definition: src/module.yaml
|
||||||
|
code: nws
|
||||||
|
name: "Novel Writing Suite"
|
||||||
|
description: "AI-powered novel writing with text analysis"
|
||||||
|
npm_package: "bmad-novel-writing-suite"
|
||||||
|
github_repo: "fsandx/bmad-novel-writing-suite"
|
||||||
|
default_selected: false
|
||||||
|
|
||||||
# whiteport-design-system:
|
# whiteport-design-system:
|
||||||
# url: https://github.com/bmad-code-org/bmad-method-wds-expansion
|
# url: https://github.com/bmad-code-org/bmad-method-wds-expansion
|
||||||
# module-definition: src/module.yaml
|
# module-definition: src/module.yaml
|
||||||
|
|
|
||||||
Loading…
Reference in New Issue